Showing posts with label Sartre. Show all posts
Showing posts with label Sartre. Show all posts

Tuesday, February 5, 2013

THE WISDOM OF NO CHOICE


BIGHORN SHEEP
Never Summer Range,
Colorado Rockies


On the slopes of Specimen Mountain,
between patches of eternal snow,
a dozen ewes and lambs.
Horns even on the watchful females,
but the lambs not skittery –

one stops in the saddle of the pass,
stares at me like a child.
Then, near wind-twisted, green
island of krummholz, four rams –
triangular faces between

spiral galaxies of horns.
this is their acropolis,
this plateau of cloud and stone.
I crouch, creep up
until I can see the fused rings –

If only I could come
closer yet –
if they’d sniff my hand,
lick sweat off my skin.
Being human is exile.

I stir, collect my pack.
they grow agitated.
pressing through dense branches,
the fifth ram, the biggest,
steps out.

He walks over to another ram,
waiting, frozen in profile –
he surveys me again, then slowly
lowers his great scrolled head,
and they retreat. 

I too retreat, descend.
Behind me, the sky
pulsing with good luck;
before me, the great bells
of the thunderheads. 

The wind parts the grass,
combs it close to the ground.
I gather a few threads
of the coarse wool.
At least we are granted

glimpses, wisps
among thickets and thorns.

~ Oriana © 2013

**

I have had my glimpses. There is something sublime about suddenly encountering beautiful animals in the wild. Now that I’m pondering visits to orthopedic surgeons, do I wish I could repeat that hike? No. Been there, done that. And thinking of the joggers I passed by during my leisurely sunset stroll the day before -- the usual panting and pained gasping, the usual contorted faces -- I felt almost blissful thinking that this self-imposed torment would never be mine: I had no choice in the matter. This morning again I woke up feeling wonderfully posthumous. There was nothing I felt I had to accomplish, nothing to strive for.

I did, however, need to fill out a lengthy application. The deadline was still far-off, but I knew from experience that if I didn’t do it as soon as possible, I’d be haunted by the darn thing, my energy drained from more enjoyable thoughts and activities. So I decided to give myself no choice: I’d do it right away. Not tomorrow or next week. I closed those options. I filled out the application; it turned out to be quite easy and took less time than I expected. As someone observed, we don’t procrastinate because the task is difficult; the task is difficult because we procrastinate.

With no choice except doing it, I sat at my desk and did it. Now when I happen to glance at the large envelope waiting to go off into the mail, there seems to be something like the smile of the Cheshire cat about it.

As a brilliant neuroscientist I knew in Warsaw said, “We try to avoid a minor discomfort now, and end up suffering a much greater discomfort later.” 

IT’S WONDERFUL, ESPECIALLY IF WE HAVE NO CHOICE

Pema Chodron, an American Buddhist nun and writer, has a book called THE WISDOM OF NO ESCAPE. Sometimes just the title can cause a moment of insight, as happened with a different book, Susan Nolen’s Eating, Drinking, Overthinking. I didn’t have to read the book. Simply seeing Overthinking next to Eating and Drinking made me become aware that my overthinking was an addiction -- and an addiction can be overcome.  That “title satori” was a minor step on my way to a major satori about depression. Minor but important.

But back to The Wisdom of No Escape. Our first impulse is to try to escape even a minor discomfort, Pema Chodron states. Of course we have an aversion to pain. But if we put up with it and even get curious about something that appears unpleasant, we will gain, Chodron promises. If we close the door to escape, we may end up in a larger space.

Right in this life, we all get to experience heaven and hell and resurrection. And hell, major or minor, is sometimes a prerequisite of resurrection. Or, as Sartre said, “Life begins on the other side of despair.” When there is no escape, with luck we’ll eventually get tired of despair and being to move forward.

And sometimes life does it for us: escape is no longer possible. There is no choice. And that’s when something amazing can happen: we become quite happy with what we have. In The Snow Leopard, Peter Matthiessen describes a crippled man’s reaction to the question about his happiness:

And this holy man of great directness and simplicity, big white teeth shining, laughs out loud in an infectious way at Jang-bu’s question. Indicating his twisted legs without a trace of self pity or bitterness, as if they belonged to all of us, he casts his arms wide to the sky and the snow mountains, the high sun and the dancing sheep, and cries, “Of course I am happy here! It’s wonderful! Especially when I have no choice!”

WHY “QUITTERS” ARE WINNERS

Sartre famously said that freedom is found in commitment. By closing the other options, we are free to concentrate on our choice. (Not that it’s easy to know what we want since the human brain contains multiple minds that often compete -- but that’s a separate issue.)

Heidi Halvorson explains that most of us want to “keep our options open”:

Given the choice, would you prefer to make an iron-clad, no-turning-back decision, or one you could back out of if you needed to?

People overwhelmingly prefer reversible decisions to irreversible ones.  They believe it’s better to “keep your options open,” whenever possible.  They wait years before declaring a major, date someone for years before getting married, favor stores with a guaranteed return policy (think Zappos), and hire employees on a temporary basis (or use probationary periods), all in order to avoid commitments that can be difficult, or nearly impossible, to un-do. 

People believe that this is the best way to ensure their own happiness and success.  But people, as it turns out, are wrong.

Why does keeping our options open make us less happy?  Because once we make a final, no-turning-back decision, the psychological immune system kicks in.  This is how psychologists . . . refer to the mind’s uncanny ability to make us feel good about our decisions.  Once we’ve committed to a course of action, we stop thinking about alternatives.  Or, if we do bother to think about them, we think about how lousy they are compared to our clearly superior and awesome choice.

**

After quoting so much, I thought, might as well be hanged for a sheep than a lamb -- let me be totally shameless, and quote from an earlier blog post:

Again I want to quote that crucial passage from James Hillman’s The Soul’s Code:

Extraordinary people display calling most evidently. Perhaps that’s why they fascinate. Perhaps, too, they are extraordinary because their calling comes through so clearly and they are so loyal to it . . .  They seem to have no other choice . . . Extraordinary people are not a different category; the workings of this engine in them are simply more transparent. (p. 28-29)

“Extraordinary people are not a different category”; it’s just that they have clarity about their vocation and a great loyalty to it. And this brings me to another article:

http://www.psychologytoday.com/blog/strategic-thinking/201206/why-quitters-win

The title is misleading. By “quitters,” the author, Nick Tasler, means people who can commit oneself to one option and eliminate the rest. To use an extreme example (mine, not his), Frank Lloyd Wright also loved music. But he didn’t try to be both an architect and a piano virtuoso. He chose his path early and persisted. Architecture is a kind of frozen music – but we don’t need to go that far. He made his choice, and became extraordinary.

Here we come back to the finding that less choice is better, and no choice may be best (depending on the matter at hand). REDUCE OR ELIMINATE CHOICE. Keeping options open is not only stressful, but virtually guarantees failure.

But how can we know if option 1 is the best if option 2 looks yummy also, and option 3 has its seductive angles as well? If the pull of a single option is not that distinct, we have to make a leap of faith. I hate to confess how many times I simply tossed a coin . . .  but even that is better than sitting half-dressed at the edge of a bed, like a woman in a painting by Edward Hopper. Should she put on the red dress or the blue one? (Do I hear someone say, “But Oriana, she is trying to decide if life is worth living!” – Listen, I know what it means to be a woman. She can’t make up her mind about what to wear. The problem is that it all looks good. It’s the cumulative microtrauma of trivial choices that makes women so exhausted.)

Decisiveness: the ability to choose one thing, one course of action, while “quitting” others. Eliminating the stress of choice. To quote from the article:

The inability to make what Harvard ethics professor, Joseph Badaracco, calls “right vs. right” decisions can be a fatal strategic flaw. An otherwise talented manager who can’t bring himself to focus on one customer segment at the expense of others (but what if they want to buy, too!?!) winds up taking his team in circles, and his career into a rut.

At the heart of strategic thinking is the ability to focus on one strategy while consciously quitting the pursuit of others. Choosing what we want to do is easy. It's choosing what else we want to do that we are nonetheless going to quit doing that is the hard part—to build the school by stripping funding from the hospital; to develop this product while shutting down production of that one. As David Packard (of Hewlett-Packard fame) once said “more companies die from overeating than starvation.” The same truth applies to our careers and personal lives.

**

In the Western world, people certainly die from overeating rather than starvation. But I’m not sure if I agree with the statement “choosing what we want to do is easy.” For some people it is, for others it isn’t. Perhaps the author should have said: “choosing what we most want to do.” But even then . . . Try asking someone, “What’s the most important thing in your life?” People I know would sooner discuss their sex lives (or lack of them).

I do agree, though, that paying the price of focusing – sacrificing other attractive things and activities – may be even harder. Not particularly for me – once I have clarity, it’s relatively easy for me to be single-minded. But I’ve known people so immersed in a dozen attractive activities that they are always in a rush, frantic, unable to do anything at the level of excellence.

We live in a manic, multi-tasking, short-attention span culture. My most important motto is DO LESS. The less you do (but the more thoroughly you do it, and the more you enjoy doing it), the more you will accomplish.

Why? For one thing, you’ll be eliminating a lot of choice-making, possibly the primary source of stress in modern life. The future belongs to the decisive – the “quitters,” those who quit doing too many things.

Arguably the foremost problem in life is that we “can’t have it all.” Once we accept that, the rest is . . . well, not exactly easy, but doable. As one visual artist told me, “When you concentrate on one small thing, something huge begins to unfold.”   

NUNC DIMITTIS

Back now to today, the lovely overcast “no sky.” I’m pondering something recently posted by Max Flumerfelt: “Style is knowing who you are, what you want to say, and not giving a damn.” Knowing who you are and what you want to say is not easy for the reason I mentioned near the beginning: our brain contains multiple minds with competing priorities. Information overload makes focus (or we can call it style) even more difficult. I remember when I wanted to know all about astrophysics, and the history of great ideas, and art, and theater, and all the names of plants and animals, and . . . and . . . and . . .

Soon I was on the road to nowhere, my twenties largely lost due to trying to travel in too many directions at once. Yes, I picked up all kinds of sundry facts, a small portion of which did make way into my writing. Only later I realized that no, there is no time to read The String Theory and The New Yorker, see all the great plays and movies, and write in all the genres besides. And then there were long letters to friends to be written. Alas, all kinds of wonderful things simply had to go if I was to accomplish even one thing at the level of excellence. Anyone can choose between good and bad; it’s the choice between good and good that drives us to despair.

Life begins on the other side of that despair (Sartre again). The wisdom of “less is more” finally dawns. We grasp mortality, as mortality grasps us. A few years before her death, my mother started saying, “That’s not important,” dismissing most of the things of the world. It took me a while to  understand this. I think of myself as a late bloomer, but look! I didn’t have to turn eighty before understanding how little time is left, and how selective we have to get, how many doors we have to close. And as the doors close, what remains is infinitely precious.

I know I flatter myself by calling myself posthumous, above a life of distractions and straining to please (including pleasing my perfectionist self). And I admit that I can’t recall the specific moment when I had my “posthumous” satori. I remember the moment of the my big satori about depression, but not the moment when the sweetness of being posthumous first registered.

But being a writer, I can imagine it. I am in Europe, roaming in the streets of an ancient town. I walk into a lovely old church, shivering with pleasure at finding myself in the cool twilight of that stone building that rightly continues the tradition of Neolithic sacred places. But out of the silence, voice, above me in the choir. The singers are rehearsing “Nunc dimittis.”

How can I, a committed atheist (that was another closing of a door, and what a burden fell away from me), imagine an important moment taking place in a church? Because I take from religion whatever is beautiful. Buddhism or Catholicism, it’s all my heritage -- but I swallow nothing whole. I select.

And I select “Nunc dimittis”: now you let your servant depart for my eyes have seen salvation. This needs translation so that it would have a personal meaning: now I let go of the busy and distracted life, of striving, of trying to please. What writing may come will come without effort, both out of the moment and out of the past. Now my eyes see the path of Less so that something larger may emerge.

And now I walk out of the church into the hum and rush of the streets, but with a beautiful silence within me. 




Steve:

THE LIFE YOU MIGHT HAVE HAD


Hear the word of Lachesis, daughter of Necessity. . . .
let he who draws the first lot have the first choice,
and the life he chooses shall be his destiny.
                                                ~ Plato, Book 10, The Republic

Cries of seabirds lifting like needles
from tissues of mist. The brocade
of breaking sea. The faintest discernment

of salt. The silk of your breath spun
into cloth in early morning air.
The loom of the mast, the shuttle of the sail,

the quiet design of the harbor. The stone
of a house set like a gem in a fabric
of hills. The shimmer of lambent late

afternoon light. The weave of the lover’s
lavish touch. The rise and fall
of flesh, petals in a night-blue bay.

If only you had paused when Lachesis
spread the patterns of life like pieces
of quilt. If only, when she asked you

to choose, you had recalled the tangled
knots of the world, the groans of discontent,
the torn tapestry of your last life.

You might have asked for less,
settled for a gown of dreams—
for this, the life you might have had.

 
**

Oriana:

Ah, that gauzy dream life poem! Thank you for this engauzement! And dear old Plato with his gorgeous nonsense, as some Victorian remarked.

Some case might be made for choosing a “challenging” life, but nobody would choose, before birth, the horrors that do happen to someone after all: early-onset Alzheimer’s, for instance.

For me the alternate life was, for decades, what it might have been like if I’d stayed in Poland. It was easy to see myself having a ball as a student at the University of Warsaw, the city a succession of blossoms: lilacs, then chestnut trees, then linden trees. And after the lush summer in the countryside, a return to the golden autumn in my favorite parks. And love, love, love. One child more likely than two. And then vagueness, fog, Decembers when sometimes it's dusk all day -- and the knowledge that of course there’d be suffering, just different. When you change countries, you change problems.

In terms of personal happiness, I have little doubt that I would have been happier. I don’t know if it’s evident, since I never wanted to sound like a kvetch, but I suffered a great deal as result of my displacement -- as happens to most immigrants. Some stay bitter for the rest of their life. When I first met those unhappy immigrants, I swore not to become like them. Of course soon enough I was devastated and growing more and more bitter. I caught myself at the last moment, I think, not wanting to lose it all.

But is happiness the right criterion? Many people have asked me, “Would you have become a poet?” Possibly, but as a completely different person, probably one who’s more intent on playing with the language. I might be experimental, avant-garde. I had a gift for that, apparent already in childhood.

In any case, eventually I realized that it’s pointless to spend time imagining that other potential life, making myself miserable that way, rather than making the best of my real life. It seems almost surreal how long we can stay wedded to a doomed dream rather than commit to reality. 



Cathedral in Sandomierz, Poland


SELF-IMPOSED LIMITATIONS (THE PATH OF RENUNCIATION?)

Charles:

I think this blog has more wisdom than any other.

Favorite line in “Bighorn Sheep” is
"The wind parts the grass,
combs it close to the ground."

Love the so many pearls of wisdom starting with: We don’t procrastinate because the task is difficult; the task is difficult because we procrastinate.

This blog is so great. I think you and I intuitively have many self-imposed limitations to limit choice. That's exactly why we can get ahead in the world.

More people die from overeating than from starvation is also a truism.

“It’s the choice between good and good that drives us to despair” is another favorite.


Oriana:

Yes, the choice between good and good, and bad and bad -- those are the heartbreakers. But especially the choice between good and good -- that in-your-face announcement that you can’t have it all. Recently that has been hitting women more: that realization that you can’t be a super-dedicated professional and a super-mom too. Come on, hire a nanny. But in this country, it’s disapproved of. “Here you do everything yourself,” I was told.

I like your choice of favorites. Those are mine as well. Thank you.

One of my recent surprises was the gain in strength and focus once I closed the door on “theist doubt” (wondering if god exists after all -- not a Judeo-Christian god or any other man-invented god, but some unknown “real god”). Until then I didn’t even realize there was that dribble of energy going into the question, like precious water from a leaking faucet.

Long live self-imposed limitations! Facebook is a huge enemy of focus. And even quality newspapers and magazines, full of fascinating stuff that will nevertheless be forgotten almost instantly, since it doesn’t fit the framework on the ongoing major project. Fascinating, yes, and I could spend all day reading those articles, and not accomplish a thing.

When in doubt, there is a tool one can use: “red light, green light.” Before plunging into an activity, ask yourself: Does it serve my purpose? If yes, it’s a green light for go; if no, it’s a red light for stop. Soon all you are asking is “Green light? Red light?” After a while, you don’t even ask. You instantly know if it’s a green light or a red light.

Before I knew the red light/green light technique, I used to bypass intellectual distraction by saying to myself, “This is from Satan.” I’m not kidding. It served me well.

Now, nobody is on the path 100% -- except under deadline pressure. Of course now and then I too stray into the New York Times, say. But how shallow those articles seem after a stretch of concentrated work. And you know you’ll be going in all directions at once and not getting anywhere. Or, to change metaphors, we are dying of intellectual overeating, not of starvation.

*

I already hear a chorus of voices asking, BUT DON’T YOU BECOME TOO NARROW?

And I can joyfully and with 100% certainly shout back, “No!” The paradox of focusing in depth on any subject is that a whole infinity opens up. You narrow down, and get to something huge. Cultivate one garden, and you gain the world.

But if you don’t focus on anything coherent, all turns into dust. You are not building anything.

ONE BRAIN, MANY MINDS

Sarah:

Yes, it's all interesting... I wonder though in what sense you mean 'many minds'... I find that the most interesting - the thought that there may be 'many minds' within one brain, but I am not sure how you are defining mind here. You mean self-contained wholes, within a whole?

I am reading about the extended mind at the moment, in my PhD stuff, and inclined more and more to think that our minds are pretty much where we draw the lines (and how much choice in that matter we have is debatable, but the illusion of choice is necessary - the illusion of free will, and control - and also, limitations on the choices are necessary, as you point out.

I think it's maybe not a question of too much choice but of not bringing enough of the organism into play when we decide. If everything is on the one level, say the rational level (but not necessarily) then we have no real grounds to choose one thing rather than another - we can create arguments for anything. If on the other hand we bring all of our resources into play - it seems to me that our choices are 'automatically' reduced by our own 'whole organisms' (again, that's where we draw the line).

If we can live this way there is a lot more peace - eventually it seems you do not have to 'choose' anything, or if you do, that's because a problem has risen in the internal communication, and we can only 'think' or only 'feel'...when it all comes together there is usually a single outcome.


Oriana:

I am somewhat premature in speaking of “many minds.” Neuroscience isn’t quite there yet. I suppose you're getting at something like a "whole-brain response." In terms of traditional evolutionary neuroscience, that would include the reptile brain (survival), mammalian brain (attachment, at least in social animals), and cortical brain. This is an oversimplification that goes back at least thirty years, as if there existed little communication between those layers of the brain. Perhaps we need to include the extensive nervous system of the heart and the intestines as also a kind of "mind" (a word impossible to define precisely, but then the Catholic Encyclopedia is unable to define "soul").

I suspect that there are several “minds” within the cortex itself -- or call these subpersonalities. And perhaps the talk about "the highest self" and "inner child" and so on also has validity, but I doubt we'll ever be able to establish the coordinates of each realm, not to mention constant change and flow. All we know is that under stress we become more survival-oriented. As for subtleties such as my having a somewhat different personality when I speak Polish, forget it! I even have different moral values when I shift to Polish. As Ewa Parma said, "If you had stayed, you'd still write, but as a totally different person." Not sure about "totally," but sure about "different." (What would remain the same, I think since it feels like the core of my being: the love of books and ideas; the love of beauty.)

How do we integrate the many minds, the many subpersonalities? Your idea of listening to our whole being and not just to the rational mind is quite appealing, and when I seem to make a choice but my body shows discomfort I certainly “listen to the body.” But for me the integration is more about “being on the path” and not straying into every attractive direction. Then indeed there is hardly any need to choose: you keep on going.

So I am back to SELF-IMPOSED LIMITATIONS. When motivation is intense, I hardly notice the limitations, nor do I need to put any energy into enforcing them. There is also the question of building the habit of working. When Heraclitus said that “character is destiny,” by “character” he meant “daily habits” -- at least that’s what some scholars say, and that makes sense to me. Some people manage to accomplish things by manic fits and starts; I am the plodding type. (True, nobody sees me as plodding, since I have a relatively high level of animation when I am with people; but I know what I am like in private.)

I have certainly tried the opposite of limiting choice: hey, let the mind stray wherever it wants to. Hours and hours of browsing. It feels good while I’m doing it! I have a broad intellectual foundation and everything interests me, so I can flit from one article to another, from one intellectual blossom to another. I can’t complain about being bored! But afterwards: EMPTINESS.

The opposite is focused work. The kind of work doesn’t matter; it’s the focus that matters. I’m tempted to say: don’t worry so much if it’s the right goal; the important thing is to have a goal. Have something small and manageable planned for today, and something larger in mind as the overarching goal (that one can be somewhat vague; it will keep evolving toward clarity). “We manage best when we manage small” ~ Linda Gregg. The big goal doesn’t have to be fully known.

Doing something with concentration is not as easy as browsing. But afterwards, a feeling of accomplishment, of having done something and gotten somewhere. I’m tired but happy. I think of what I have written and smile to myself. And I know I will sleep well.
I noticed this already when I was leaving my childhood years. Playing began to bore me. And it puzzled me: why did work feel so much more satisfying than play? I don’t know if that true for everyone, but I know that my brain thrives on focus. 



*

Not that I feel “completely in control.” I’ll never forget the day when a neighbor gave me a newsletters for families of Parkinson’s patients. My father was dying of Parkinson’s, a slow, macabre death. I started reading 
“research news,” and became so fascinated that poetry couldn’t offer me anything that day, or in the following days. Soon I was spending my weekends at the UCSD Biomedical Library. I dropped poetry and gave myself to my new passion, which soon branched into hormones. And when I read a lot about something, I begin to write about it, so a new career opened up. For eight years I stayed away from poetry -- I, who once believed that poetry was such a strong addiction, there was no quitting it.

And then I saw “Shakespeare in Love,” with its divine passages from Romeo and Juliet. And I was a poet again, my “second coming.” Then came the blog and prose captivated me. So I know that if the attraction is strong enough, my brain decides for me. Resistance is futile. But ever since I became a writer, one thing held steady: I kept writing. The form and content have changed, but writing has remained the center of my life. 






 

Tuesday, May 31, 2011

MILOSZ AT THE GATES OF HEAVEN


     Czeslaw Milosz, Krakow 2002. Photo: Judyta Papp


AN ALCOHOLIC ENTERS THE GATES OF HEAVEN


What kind of man I was to be you’ve known since the beginning,
since the beginning of every creature.

It must be horrible to be aware, simultaneously,
of what is, what was,
and what will be.

I began my life confident and happy,
certain that the Sun rose every day for me
and that flowers opened for me every morning.
I ran all day in an enchanted garden.

Not suspecting that you had picked me from the Book of Genes
for another experiment altogether.
As if there were not proof enough
that free will is useless against destiny.

Under your amused glance I suffered
like a caterpillar impaled on the spike of a blackthorn.
The terror of the world opened itself to me.

Could I have avoided escape into illusion?
Into a liquor which stopped the chattering of teeth
and melted the burning ball in my breast
and made me think I could live like others?

I realized I was wandering from hope to hope
and I asked you, All Knowing, why you torture me.
Is it a trial like Job’s, so that I call faith a phantom
and say: You are not, nor do your verdicts exist,
and the earth is ruled by accident?

Who can contemplate
simultaneous, a-billion-times-multiplied pain?

It seems to me that people who cannot believe in you
deserve our praise.

But perhaps because you were overwhelmed by pity,
you descended to the earth
to experience the condition of mortal creatures.

Bore the pain of crucifixion for a sin, but committed by whom?

I pray to you, for I do not know how not to pray.

Because my heart desires you,
though I do not believe you would cure me.

And so it must be, that those who suffer will continue to suffer,
praising your name.

~ Czeslaw Milosz, This, 2000

**

Sober Reader, you yawn: yet another famous poet turns out to have been an alcoholic. “Heaven is the third vodka” – should we even bother discussing what for non-alcoholics is sheer nonsense? And is it really true that great writers need a “charismatic flaw,” as the literary critic Leslie Fiedler claimed, that flaw generally being dependence on alcohol?

Milosz writes: “My real drinking began in earnest in occupied Warsaw with my future wife Janka and Jerzy Andrzejewski (author of Ashes and Diamond) . . .  I drank a lot, but always took care to separate time for work from time for letting go . . .  Alas, too many generations of my ancestors drank for me to have been free from the urge for the bottle.” (Milosz’s ABC, p. 18)

The fact that Milosz had the self-discipline to separate work and drinking possibly accounts for his amazing creativity in old age. Or maybe it was the positive emotions generated by the Nobel Prize when he was almost seventy, receiving recognition and adulation at last. I prefer not to delve into this puzzle, except for acknowledging how inspiring it always is to find a writer who in his or her old age experiences a creative blossoming rather than a decline. Instead, I am interested in the acutely bitter tone of this unique poem. Is this Job speaking, subtly accusing the Old One (as Einstein liked to refer to God)? Let’s not forget that Milosz is a metaphysical poet, and can provide us with a certain metaphysical shiver when we consider the kind of cruel deterministic theology that is still very powerful, while progressive Christian theologies remain anemic.

“An Alcoholic Enters the Gates of Heaven” is especially interesting in the light of the recent prediction by a fundamentalist preacher, Harold Camping (a happy camper, since he regards himself as one of those predestined to taste paradise) that the Last Judgment would take place Saturday May 21st at 6 PM (Eastern Standard Time, I think). I have also just read an interesting summary of crucifixion-centered theologies versus progressive theologies. The preacher who was predicting the end of the world belongs to the first tradition, of Christ seen both as a sacrificial victim, a "sin sacrifice," and – this seems an egregiously un-Christian concept – as the ultimate judge who will accept the chosen few and hurl billions of souls into eternal torment.

Progressive theologies, on the other hand, are fascinated by early Christianity that emphasized agape (loving kindness; a community of affection) and paradise rather than hell. The basic tenet of progressive theologies is that the Second Coming is the birth of Christ Consciousness within us and among us, in the global community. We are here to build the kingdom of God on earth. God intends all souls to be saved. Paradise is here and now.

Alas, progressive theologians do not seem to have the PR resources commanded by the “blood of the Lamb/Armageddon” theologies. The only time there seemed to be true hope for progressive theologies was when Rabbi Kushner’s famous book, When Bad Things Happen to Good People, became a best-seller. Kushner posited a deity with limited powers, one who neither causes nor prevents cancer, heart attacks, tsunamis, and other disasters. God does not decide which child will get leukemia, or who will grow up to be an alcoholic. Some evil is the work of natural laws (these days, an earthquake is rarely called an “act of God”); other kinds of evil are the work of man. Afterwards, everything depends on our response: do we curse and despair and can’t move on, or do we summon the strength to transcend the tragedy? Faith is one of the resources that can increase people’s strength to endure and recover. (Twelve-step programs also come to mind.)

Alas, Milosz was brought up in old-time Catholicism. Even though he forayed into such unorthodox theologians as Swedenborg and Simone Weil, he could not accept the notion that God’s power is limited and it wasn’t God who planted alcoholic genes in a particular individual: it just happened. The first lines of the poem tell us that God knew who’d be an alcoholic “since the beginning of every creature,” i.e. since the moment of creation. Predestination? Yes. A Calvinist doctrine, is has wormed its way into any theology which agrees with the statement, “Everything that happens is the will of God.” And if the belief in omniscience, including the knowledge of everything that will happen, is the required trait of divine perfection, then logic grimly leads to the conclusion that only predestination can account for omniscience. Everything was decided for eternity at the moment of creation. And countless millions were predestined to become alcoholics.

What kind of man I was to be you’ve known since the beginning,
since the beginning of every creature.

I remember my father’s saying that the only way out of these theological conundrums is those religions where the gods have limited knowledge and limited power. This idea has been around for a long time, certainly long enough for Milosz to have heard of it. But when the doctrines of omnipotence and omniscience are drummed into a child’s mind, reinforced with the fear of eternal damnation is you dare question dogma, it is difficult to shake off toxic beliefs. It seems to me that Milosz caused himself untold anguish by not being able to liberate himself from the toxic theology of “old-time religion.”

True, the Catholic Church emphasizes free will. I don’t remember the word “predestination” being ever used in my catechism classes. In fact the existence of evil was explained in a simple and powerful way: “Because God has granted man free will.” Thus God will allow genocide rather than interfere with man’s free will. Case closed. It’s only the more intellectual Catholics who ponder omniscience, connect the dots, and arrive at the moral monstrosity of predestination.

It is interesting that in this poem Milosz does not use the capital “You.” Maybe the god who predestines so much suffering doesn’t deserve to be capitalized. In fact, already in the second stanza, the poet winces at the idea of what it must be like to be an omniscient god who knows what will happen since he planned it down to the smallest detail. Milosz startles the reader by announcing that it must be horrible to be God:

It must be horrible to be aware, simultaneously,
of what is, what was,
and what will be.

~ and later

Who can contemplate
simultaneous, a billion-times-multiplied pain?

and then the stanza that is bound to shock the pious:

It seems to me that people who cannot believe in you
deserve your praise.

But the pathos of the poem lies in the personal part:

I began my life confident and happy . . .
I ran all day in an enchanted garden.

Not suspecting that you had picked me from the Book of Genes
for another experiment altogether.
As if there were not proof enough
that free will is useless against destiny.

Note also:

Under your amused glance I suffered
like a caterpillar impaled on the spike of a blackthorn. [emphasis mine]

The experiment of making someone an alcoholic somehow amuses this kind of God, even though the results are known in advance. Maybe God would be bored if the world were filled with goodness. He wants to be entertained with some people’s drunken antics, their remorse, their broken promises. If the alcoholic’s wife and children suffer, that’s “collateral damage.”

The speaker wonders if perhaps he is like Job, being tested to see not so much if he’ll curse God (cursing God would imply that God exists), but, in the modern context, if he’ll become an atheist and decide that the world is ruled by accident.

I asked you, All Knowing, why you torture me.
It is a trial like Job’s, so that I call faith a phantom
and say: You are not, nor do your verdicts exist,
and the earth is ruled by accident?

The God who performs such experiments, having already predestined their outcome, the God who can contemplate pain multiplied billions of times, does not appear to be synonymous with love. Let me quote the startling lines again:

It seems to me that people who cannot believe in you
deserve your praise.

The poet then ponders the possibility that God is not an amused sadist, but is overwhelmed by pity instead. The proof of it is crucifixion

for a sin, but committed by whom?

By Adam and Eve? Is it the old “ransom” theology here, demanding that someone must pay with blood for the first humans’ having dared to reach for knowledge? Or is it the sum of the collective sin, all the sins committed in the past and present, and the sins about to be committed in the future? The whole obsession with sin seems a monstrosity.

Nevertheless, Milosz decides that atheism would be impossible for him

Because my heart desires you,
though I do not believe you would cure me.

Here Milosz falls into his own trap, since if God happened to predestine his cure, then the cure would certainly happen. So “I do not believe you would cure me” stems from some bitter intuition that cannot be rationally explained.

Milosz knows that faith rests on emotional need, not on reason. And thus, like Job, he decides that the solution is to praise the author of the suffering. Thus he joins the community of those who “continue to suffer, / praising your name.”

Czeslaw, I want to scream, even the gospels provide a less deterministic and sin-obsessed scenario. For instance, in Matthew 25: 31 and onward, we see that the Last Judgment separates not the sinless from the sinful, but those who did good works such as feeding and clothing the poor and visiting the sick from those who did not perform such kind deeds. Thus, at least according to St. Matthew, doing good is the criterion for admission to heaven. Long live orthopraxy (right conduct) as opposed to the Protestant doctrine of “by faith alone” (sola fide). I have always praised the Catholic church for maintaining that faith without works is dead: “For as the body without the spirit is dead, so faith without works is dead also” (James 2:26).

Nevertheless, we are still stuck with the existence of eternal punishment, even if the non-doers of good somehow deserve it. The hellfire that is the foundation of traditional Christianity remains a problem. The current Pope, a former Grand Inquisitor in charge of maintaining the purity of the doctrine, has changed the definition of hell to a state of mind in which a human being is separated from God. Thus, hell can be experienced here on earth (no one would argue with that), and it need not be eternal. It seems that almost everyone experiences both hell and heaven right here on earth, and several times at that. Swedenborg’s idea that a soul can decide to leave hell for heaven makes intuitive sense.

And simply dropping the idea of predestination, even if it implies no omniscience, would cleanse God of the charge of cruelty. No need to posit an “amused glance.” Karl Barth, regarded as one of the greatest theologians who ever lived, rejected immutable predestination at the moment of creation because it would negate grace and Christ’s power of redemption. (It puzzles me that Milosz would not be of the same persuasion. Is not believing that God would cure him equivalent to the sin of despair?)


Likewise, if we assume the atheist position, the universe may be indifferent, but at least it does not watch our suffering with an amused glance.



Besides, both chaos theory and quantum theory cast doubt on the deterministic universe. It can seriously be doubted if Milosz’s genes were determined in the first nanosecond of the Big Bang. As for the so-called genetic lottery, neither malice nor kindness was involved, no Job-like experiment and no amusement – and we are learning that DNA is not destiny.


Furthermore, Milosz did admire and accept Sartre’s “philosophy of freedom.” One of its main tenets is that the present changes the past. We know that human memory is meaning-based, and that meaning is subject to evolution and insight. This is what allowed Milosz his escape from depression by “escaping forward.” There may be no consolation, but there is work to be done. It’s pointless to be stuck in the Middle Ages, wasting time on theological conundrums. And besides, as the title indicates, even an alcoholic can enter heaven. For me, this means heaven right here, right now – right this moment as I am typing these words, knowing they might be helpful to someone – or at least interesting. And even apart from that, and in spite of aches and pains and dissatisfactions, there is an elementary pleasure in existing.


Actually, this poem interests me not because of its presentation of old-time theology, but because I see a wider meaning that has nothing to do with religion. I see it as somewhat related to Jack Gilbert’s “A Brief for the Defense,” which also deals with the existence of enormous suffering in the world. Great poets and writers frequently grapple with the problem of evil, of innocent suffering, and that is one reason we regard them as great.

The question need not be whether to praise God, but whether to continue to affirm life in spite of suffering. One thing that a writer can do is fully acknowledge and lament suffering, but also juxtapose it with something good. Even if the world ends on some fine Saturday, we can still take delight in the blossoming jacarandas and whatever other fragments of paradise are within our sight. “We must risk delight,” as Gilbert puts it. That, perhaps, is the greatest piety.



Milosz did know how to risk delight. Poems of his that people tend to love most are not Augustinian torments, but an acknowledgment that we do the best we can and that life is a gift, and our cup runneth over:


GIFT

A day so happy.
Fog lifted early. I worked in the garden.
Hummingbirds were stopping over the honeysuckle flowers.
There was no thing on earth I wanted to possess.
I knew no one worth my envying him.
Whatever evil I had suffered, I forgot.
To think that once I was the same man did not embarrass me.
In my body I felt no pain.
When straightening up, I saw blue sea and sails.

Berkeley, 1971



“Gift” is one of Milosz’s Blakean songs of innocence, at least borderline transcendent: a day in which the ordinary earthly life is a paradise – if only we forget the evil we have suffered, do not feel guilty or embarrassed by our past, and envy no one. To see the birds, the flowers, the ocean with no thought of the self – “if the doors of perceptions were cleansed, everything would appear to man as it is, infinite” – that, sages agree, is paradise. And if we experience enough paradise here on earth, perhaps the longing for some vague heaven will lose at least some of its appeal. If not, then we have to seriously reconsider the concepts of God and the kind of afterlife that would be something else than floating in the clouds, “doing nothing and nothing forever.” That can never be a poet’s dream. A poet takes the gift of his/her life and transforms it into a gift for others. That would be heaven enough for me. 



                                        Milosz, Krakow 2001. Photo: Judyta Papp
**

You may be wondering how Milosz managed to live to be ninety-three, sharp and productive to the end. It’s possible that alcohol actually helped him. Recent studies on drinking have come up with politically incorrect results. It turns out that even heavy drinkers outlive tee-totalers. The effect of alcohol in preventing heart disease and stroke is greater than the effect of measures such as exercise, diet, and statins.

Benefits of moderate drinking (1-2 glasses a day; daily alcohol consumption is more beneficial than less frequent drinking) includes decreased incidence of heart attack and stroke, diabetes, arthritis, rheumatoid arthritis, dementia, several major cancers, osteoporosis, gallstones, kidney stones, thrombosis, and enlarged prostate.

Large recent studies have established that people who drink 1-2 glasses a day have the lowest death rate from all causes.

It doesn't have to be red wine since the benefits are due to alcohol per se. Alcohol is anti-oxidant and anti-inflammatory, and dilates blood vessels better than anything else. It also raises the levels of serotonin.

Why even heavy drinkers tend to live longer than tee-totalers is unclear. Stress reduction may be the main factor.



                                                 Photo: Judyta Papp

But there is heavy habitual drinking, and then there is the tragedy of progressive, out-of-control alcoholism. Binge drinking, and/or drinking the first thing is the morning, are signs of advanced alcoholism, with its shortened life expectancy. Given that Milosz lived to be ninety-three, and continued to be productive, my guess is that his alcoholism, while undeniable (“Heaven is the third vodka” – take that, all you theologians who would define heaven!), was not of the worst kind. The pious may take it as a sign of grace. I am simply grateful that Milosz had a wonderfully productive old age, creating fascinating poems.


(My thanks to Jon Wesick for enlightening me on chaos theory and quantum mechanics in regard to the concept of the deterministic universe) 



Michael (from Walker Pass, waiting for the snow to melt so he can resume hiking on Pacific Crest Trail):


If one must order life by shuffling pieces around on the game board called god, predestination is a worthy fiction, as are a 7-day creation, sin, heaven, and hell. If. Feats of creativity at playing this game are written on every dusty page of Christianity. If. But my impatience is large. I cannot sit quietly by watching men and women earnestly working out the next move when the game board itself should be scrapped. We need to begin again. 

Oriana:

I completely agree with you. In Wisdom of the Psyche, (thanks for recommending the book), Ginette Paris says more than once that it’s still very soon after the death of God, and it will take a few more generations before we (at least the Western civilization) are done mourning and fully concentrate on living this life well, doing our best to create at last an approximate paradise of beauty and affection and meaningful work right here on earth. 



Doing away with both predestination and divine punishment was announced also by Rabbi Kushner in his When Bad Things Happen to Good People. It is possible to develop a spirituality without a cruel, monstrous being who in the moment of creation decided which child to make leukemic, which deformed, which doomed to struggle with alcoholic genes, and so on. Nor is everything that happens to be seen as either punishment or reward. The same goes for the equally monstrous law of karma that exacts retribution for something done during a lifetime four hundred years ago. I love the way both Kushner’s and Paris’s books praise the healing power of human affection.




I think we also have to deal with the human, all too human yearning for the absolute. It took me a while to realize that aside from facts such as “the earth is round,” we simply can’t speak of absolute truth. We speak of points of view, perspectives, interpretations. I used to yearn for a divine voice (or any voice of superior wisdom) to explain the meaning of my life to me. Then with the suddenness that tends to accompany insight, I realized that there is no such thing as THE meaning of my life. We have a meaning-seeking brain, however, and mine set to work in no time to provide possible meanings, depending on the point of view.


Oddly enough, that turned out to be more satisfying than hearing some variation of that “divine voice” I used to yearn for. If I were to hear that voice now, I’d immediately reply, “From whose point of view?” Anything absolute now strikes me as constricting and authoritarian. But it takes a lot of life experience to stop waiting for THE answer, THE book, THE man, THE job. The list varies somewhat from person to person, but the notion of the absolute and of magical, all-satisfying person or condition underlies it all. Not all people manage to outgrow the yearning for the absolute; there are octogenarians still waiting for their Prince or Princess instead of loving the imperfect partner they are lucky to have. But as ideas such as multiple perspectives, more than one vocation per lifetime, partial truth and partial satisfaction make their way into the collective psyche, there is at least hope for more maturity and tolerance. 


Hyacinth:

My favorite poem by Milosz is “The Gift”. Milosz touches me in some of his lines and these are the most lyrical and touching. I read a quote from Thoreau this morning: "My truest, serenest moments are too still for emotion; they have woolen feet." That I understand: these moments of silence of the "soul." There are certain meadows and moments that have "woolen feet" for me too.

Oriana:

Let me shamelessly digress with this precious quotation about Thoreau:

Alcott and George William Curtis were both visiting Mr. Ricketson, and interesting discourse had gone on at the dinner, Thoreau talking very well. After dinner, Alcott and Curtis went with Mr. Ricketson to his “Shanty” for serious talk, but the others went into the parlor to consult some bird book. Mrs. Ricketson, playing at her piano, struck into “The Campbells are Coming.” Thoreau put down his book and began to dance—a sylvan dance, as of a faun among rocks and bushes in a sort of labyrinthine fashion, now leaping over obstacles, then advancing with stately strides, returning in curves, then coming back in leaps. Alcott, coming in, stood thunderstruck to see “Thoreau acting his feelings in motion” as he called it. Alcott did not have that kind of feelings. 

Edward Waldo Emerson, Henry Thoreau as Remembered by a Young Friend, 1917 (the youngest son of the famous Emerson)

“The Gift” is a timeless, wonderful poem. I hope Milosz had many more of those moments, and didn’t really lose sleep over predestination – though we can’t be sure. A nasty theology can do so much damage. I mean chiefly the classic Calvinism with its “total depravity” and “limited election.” It horrifies me that people went for it.


Mary:

It's not surprising that Milosz lived with alcoholism. So many poets have mood disorders and self-medicate. I recognized something bipolar in Milosz when I discovered his work in my teens, though I didn't yet know that word or description. There is something about alcoholic thinking that meshes with the theology of this poem – the fear, guilt, shame. At the same time, I wonder, why did humans evolve to have genes for alcoholism?

Biologists have found adaptive purposes for other disease genes. Two copies of the sickle cell gene create sickle cell anemia, but one copy, like my half African American grandson has, confers resistance to malaria. And even when people end up with genetic diseases – not all but a part of the suffering is due to disability not as some predetermined biological damnation to an irredeemably horrible life, but as the construction of an excluding, unaccommodating culture. I have a number of genetically based disorders – a big reason for my fatigue – and have thought about this issue a lot. Maybe there are dimensions to it that go beyond the individual's suffering, intense as that can be.

Oriana:

Alcoholism among creative people is certainly no surprise. Neither is the bipolar disorder. I can understand the temptation, even among some professionals, to associate mood disorders and alcoholism with creativity. But I’ve come across too many alcoholics who were NOT creative (reminding me of “Artists are such fools.” – “There are so many fools who are not artists) to make me swallow the supposed connection between alcohol and the “inner fire” of creativity.

True, creative and high-achieving people very often have something at least partly abnormal about them, something that makes them outsiders who deeply understand the tragic dimension of human existence. But alcoholism is a particularly destructive way of being abnormal, most often leading to premature creative decline.  Milosz’s alcoholism was of the fascinating “disciplined” sort. The capacity for self-restraint and persistent, disciplined effort are also supposed to be genetic. Perhaps Milosz should have been mainly thankful for his genes. I feel the poem presents an unfortunate, mistaken perspective. Imagine if we had here a poem of thanksgiving instead! Milosz’s poems of gratitude also happen to be more lyrical.

I’ve come across the theory that there is less alcoholism among Mediterranean peoples because they have lived with alcohol for thousands of years, and the worst alcoholics – those who start drinking heavily already in their teens – just didn’t get to live long enough to reproduce in a significant way, so those genes got “weeded out” over many centuries (hence the myth that there are no Jewish alcoholics). In Northern Europe – so the theory goes – not enough time has elapsed, and now alcoholics get to live longer, etc. These theorists also point out to the Native American population: look what happened when whisky was introduced. 

I don’t know if I buy that, but the persistence of alcoholism has certainly been one of the genetic puzzles. My guess is that it is not purely genetic. As you say, culture has something to do with it. A repressive, stress-causing culture, one that uses “fear, guilt, shame” to manipulate people, creates the conditions when “release” is of tremendous value. There are certainly alcoholics in every social class, but it seems to me that the association with poverty and the “social bottom” is real. I’ve been to places in rural America where it’s just scary to see those hollow faces and burned-out eyes, especially in women.

In terms of “side benefits,” it’s been pointed out that early on in the disease, thanks to having reliable stress release, an alcoholic has an advantage over the “normie,” and can do better in a stressful job. Drinking is easier than meditation or physical exercise. I am terrifically grateful for having been spared the alcoholic genes, so I was forced to find other means of escape – or I’d probably be dead by now. Fortunately, my love of books and ideas created a sufficiently rewarding alternate reality for me. Once I had a marvelous dream about having decided to commit suicide and walking around a (generic) college campus and saying goodbye to strangers. Then, in the dream, I stood in front of the library, glassy, all lit up. And I woke up in awe, repeating, “So many books! So many books!” And of course I have writing too. I am so blessed.

Stress reduction, art education, enjoyable physical exercise, affordable mental health services – wouldn’t it be wonderful if we had more of these? There’d still be alcoholism and other substance abuse, but to a lesser degree, I think, since the amount of stress is a well-established factor. I think lives might be saved. And no toxic theology please.