Showing posts with label hell. Show all posts
Showing posts with label hell. Show all posts

Monday, February 25, 2013

APHRODITE AND THE JOY OF THE BODY

Aphrodite of Rhodes, 3rd Century BCE
 

APHRODITE

Beauty is more profound than truth.   ~ Oscar Wilde

“All men will disappoint you,”
said a man I loved madly,
the way you can love only once.
“This will lead you to God.”

His words branded me like lightning.
I knew he was right. 

The Prince turns into a frog,
the dream house burns down.

But God also disappoints,
senile mumbler in the sky.

If only my prophet said:
to beauty. To Aphrodite –

quivering drops of light
startled with delay, delight.

Faith is the opposite of fate –
luxurious, lavish, arguably right.

But my lovers were as ruthless
as Zen masters. The youngest,


God’s severe critic,
the one who committed suicide,
shouted, “Why should we hide
our private parts? Let’s expose
 

ourselves every chance we get.
Confront him with the mess
he made! Asshole!”
He shook his impotent 


fist toward the sky. “At least
you’re on talking terms,”
I enviously sighed.

But not with Aphrodite, no. 

Kallipygos,
“of the beautiful behind.”



~ Oriana © 2013

*

I admit I was startled to hear my beloved call god an asshole (he actually did it multiple times that day, each time bringing up yet another problem with “intelligent design”). In retrospect I think it’s common to feel angry at god, and even to hate god (I imagine only too clearly how different childhood would have been if I were allowed to hate god . . . or at least not trying to force myself to love him.) 


It's easy to feel a burning anger at god, a bitter rage and resentment, especially if you still semi-believe in an omnipotent being who did a poor job creating the world, with all its built-in problems. He's either an actively evil Godzilla or a passive deity who couldn't care less, who remains silent and inactive, not lifting a finger to prevent tsunamis or genocide, much less help with one’s personal problems. Hence the Yiddish proverb: “If god lived on earth, people would break his windows.”

It’s only when atheism becomes complete that the anger (sometimes even vehement rage: asked to meditate on divine love, one woman cried out, “Where was divine love when I was raped?”) disappears. After all, non-existence is the perfect excuse. 



Another man not on good terms with Aphrodite

There has been much talk about the “culture wars.” Conservatives sense that they have lost: the nineteenth century really is over. But it’s the second half of the nineteenth century that introduced the idea that Western culture is a difficult fusion of the ancient Hebrew and ancient Greek values (Hebraism and Hellenism, as Matthew Arnold put it in his famous essay). It was easy to guess that Hellenism -- beauty and intellectual freedom -- held more appeal to the educated.


Later a bolder formulation was born: the quarrel between Jerusalem (faith, obedience) and Athens (reason, beauty). At this point, hellenistic values seem to be winning. Can you imagine “Follow your bliss” as the motto of the Victorians, much less during the Middle Ages?

I am not sure about the Protestant churches (though it’s common knowledge that old-time Calvinism was extra-grim, with its doctrines of Total Depravity and Limited Election). Thanks in part to my grandmother, I do know that old-time Catholicism glorified suffering. Suffering was good for you: “God sends suffering to those he loves.” Suffering here on earth meant fewer centuries in the fires of Purgatory. Even minor suffering, a headache, say, was an occasion for NOT taking aspirin. Suffer now so you can suffer a bit less in the afterlife: what's a headache next to a century of purgatorial fire? Catholic chic was to suffer NOW.


Goya: A procession of flagellants, 1812

Getting back to “Jerusalem versus Athens,” I need to clarify that it means not so much ancient Jerusalem as Christianity, especially its Puritan or fundamentalist version, including what I call “old-time Catholicism.”

(Shameless digression: I always thought that Matthew Arnold was in love with Hellenism and its pursuit of intellectual and aesthetic delight, “seeing things in their beauty and essence.” Then he’d catch himself and assert that Hebraism gave us ethics -- as if morality existed only within Hebraism, and the ancient Stoics, for instance, did not have a stern ideal of conduct.)

But let us focus on the triumph of Hellenism. In what ways have the hellenistic values won? Here is the pronouncement of an eminent Polish historian of Ancient Greece:

I bring joyful news: the gods are back! Let me summarize it in four major points:

1. the joy of the body, games, sports.

2. the joy of sex between consenting adults. In the eyes of the immortal gods, sex is good; it’s not a sin.

3. the joy of knowledge, meaning freedom of inquiry and the true cult of science. We have finally dropped the idea that the ultimate truth comes from revelation. We use our limited mind, the faint lantern of our reason, to light up the surrounding darkness. For fifteen centuries Christianity managed to prevent the progress of science. Since truth is contained in revelation, what’s the point of seeking it? Religion is not just irrational; it's anti-rational. But slowly, slowly, since the Renaissance we’ve been returning to the idea that all we have is our reason. And we are discovering the magnificence of the Universe.

4. the joy of democracy. It was created in ancient Greece and grafted onto Rome, which remained a republic for several centuries. Now we claim that democracy is the best political system, and it should be adopted everywhere --  including the Catholic church. But it will be most difficult to democratize the church, since the church is anti-democratic; it stands for theocracy and feudalism, left over from the Middle Ages.


~ Aleksander Krawczuk, interview in Pantheleon, December 29, 2009; translated by Oriana

Yes, that’s the main the subversive idea of hellenistic values: that life should be a joy, that we should be happy here, on earth, rather than focused on suffering and doing penance for sins (e.g. the contemplation of the five wounds of Christ; see the Brigidine Sisters). Furthermore, the anti-rational and anti-democratic (hierarchal) attitudes of organized religion seem more and more out of touch with the reality of the modern world.

I wouldn’t go as far as agreeing that “the black is worse than the red,” the slogan of the Polish anti-clerical liberals, the black standing for Catholic clergy and the stranglehold of the Catholic church over the nation. True, the intrusive power of the church is the prime reason I could no longer live in Poland, but if by “the red” we mean communism rather than democratic socialism, then the crimes of Moscow-controlled dictatorships cannot be so easily forgotten. Nor can the crimes of the church.

The chief crime of the church, as I’ve come to see it, has been the manipulation of the believers through the fear of hell. If you make a child believe that s/he is a terrible sinner and needs redemption to avoid being punished in hell for eternity, you paint god as a cruel tyrant. When a Methodist told me, “I was taught that god loved me and would help me if I needed help,” I was totally envious. As a child I had some hope that Mary might help me -- only Mary seemed to be a true figure of mercy -- but Mary’s power was limited by the monstrous god of wrath, the Old Testament Godzilla.

True, the church has relaxed its doctrines so as to allow non-Catholics to enter heaven, for instance. There isn’t quite the old emphasis on sin and hell, and the radical idea, “God loves you,” can be heard from a priest. I don’t remember ever hearing it in my childhood, but I did hear it from one American priest (and no doubt many others say it too; I suspect it’s one way the church wants to become like the Protestant churches it would like to absorb). And the infallible new definition of hell stresses that it’s a state of mind rather than an actual place with fire and brimstone and devils with pitchforks pushing the damned deeper into the huge cauldrons. And yet, for all the progress, I just came across a long comment from a Christian who cited “fire insurance” as the main reason to believe.

(Shameless digression: in my brain, everything connects with everything else, so I suddenly remember St. Paul’s “It’s better to marry than to burn” -- a sad reason for getting married.)

On the whole, the church is still a reactionary institution, anti-life, anti-sex, anti-woman, pro-blind obedience and anti-free inquiry. It’s just that, as Milosz observed, it’s not really possible to tell a modern person that real life begins only after death. As in antiquity, we have come to value THIS life rather than a vague afterlife, “doing nothing for ever and ever.” We have also come to see the body and sexuality as good and natural (how did THAT happen? It’s silly to point to Freud, who himself was quite repressed and by no means in favor of a liberated libido), rather than as evil and sinful. Yes, the gods have returned.

**


SAINTS? OR ANOREXICS AND SELF-MUTILATORS?

It’s almost too much fun writing about sin, the concept which poisoned my childhood. What strikes me now is that sin was not defined as hurting someone, but as offending god. Thus, not going to church on Sunday was a sin; falling asleep during prayers was a sin. Not feeling love for god -- worse, doubting his existence -- was a sin so profound that it called up images of the desert hermits “mortifying the flesh” in the hope of attaining grace: beating their breasts with a rock, whipping themselves with very nasty “disciplines,” depriving themselves of sleep, wearing itchy hair-shirts and belts woven of thorns, fasting. They were the ultimate, I think, in their obsession with sin and self-punishment. 


Why the cruelty to the self? Aside from the church’s constant preaching about sin and the call to penance, what we see here is probably the phenomenon of internalization. The times were cruel, and child-rearing was harsh. A child who experiences a lot of punishment is likely to start punishing himself.

Today these self-mortifying saints would be classified as suffering from a variety of mental disorders, but centuries ago they were considered holy men and women. It’s not clear what sins they were trying to atone for -- most likely the original sin of being human. Again, we see a terrific change in attitudes across the centuries, though it is only recent decades that made “follow your bliss,” “live in the moment” and “enjoy” into mottos that eclipsed skulls, whips, and rocks for mea-culpa breast beating (or, if you were a Protestant, enduring three-hour sermons on falling into the hands of an angry god).

Only in our times could this poem about Saint Jerome be written:

Jerome in Solitude

To see the lizard there,
I was amazed I did not have to beat
My breast with a stone.

If a lion lounged nearby,
He must have curled in a shadow of a cypress,
For nobody shook a snarled mane and stretched out
To lie at my feet.

And, for a moment,
I did not see Christ retching in pain, longing
To clutch his cold abdomen,
Sagging, unable to rise or fall, the human
Flesh torn between air and air.

I was not even
Praying, unless: no,
I was not praying.

A rust branch fell suddenly
Down from a dead cypress
And blazed gold. I leaned close.
The deep place in the lizard’s eye
Looked back into me.

Delicate green sheaths
Folded into one another.
The lizard was alive,
Happy to move.

But he did not move.
Neither did I.
I did not dare to.

~ James Wright

The most telling part of the poem is

I was not even
Praying, unless: no,
I was not praying.

~ it’s the “unless” that turns to a different definition of prayer: paying complete and non-judgmental attention to the moment. That is the modern definition of the state of grace and paradise: seeing the beauty of things right now, in this life; the “eternal moment” of looking into the lizard’s eye -- “delicate green sheaths / folded into one another.” 



Leonardo da Vinci, St. Jerome, 1480 (yes, that is a chest-beating rock that Jerome is holding in his right hand)

**

NOT ONLY SCIENCE, BUT ALSO ART

Most people assume the progress of science is the chief factor undermining religion. But since the Renaissance, there has been another force working in favor of the “joy of the body” and the joy of life: the visual arts.

Since its inception, the Catholic church correctly saw that art could be made to serve religion. What the church failed to foresee was the emergence of secular art that celebrated the human. It’s the kind of art that is an example of “practical atheism” -- it’s not “anti-theist,” but religion is simply absent. At this point we are so used to secular art that we need to go to a museum to be reminded how medieval art was pretty much exclusively religious, and how stiff and awkward the figures were before Leonardo’s and Raphael’s beautiful madonnas.

By banning from churches images other than the cross, Protestantism reinforced the secular trend in art. When Dutch painters painted the sky, they painted wonderful clouds without god or the angels. “Above us, only sky” -- John Lennon’s “Imagine” was prefigured by landscape painters.

As for the objection that those painters were believers, I am tempted to reply that a true artist worships only art, never mind how jealous god might be. But a more interesting issue here is “practical atheism.” Unlike militant atheism, practical atheism is not expressed through debunking the alleged proofs of god’s existence. Rather, it ignores religion. Practical atheism celebrates the world and the human. A milkmaid becomes a fit subject for a painting since she too is beautiful in the light. 


Vermeer: Milkmaid, 1657

But let us leave the most famous (if anonymous) milkmaid in the world to enjoy another such image: Girl Chopping Onions, by Gerrit Dou (1646). Yes, even servants and onions were to be celebrated. The secret was out: life was beautiful and to be enjoyed. 


*

FALSIFYING THE SECOND COMMANDMENT

How come the Catholic church allowed statues and paintings, in blatant violation of the Second Commandment?

You shall not make for yourself any graven image, or any likeness of what is in heaven above or on the earth beneath or in the water under the earth. You shall not worship them or serve them [i.e., the graven images]; for I, Yahweh your God, am a jealous God, visiting the iniquity of the fathers on the children, on the third and the fourth generations of those who hate Me, but showing lovingkindness to thousands, to those who love Me and keep My commandments.” (Exodus 20:4-6, adapted from the NASV)

Thus, to make a graven image is to “hate” Yahweh. Punishment for doing so will be “visited” not only on the image makers, but also to their descendants, even the fourth generation. The Catholic church had to find a way out of this, so it moved away from the image-less god of Sinai and introduced the Trinity: the anthropomorphic Father and Son, and the Holy Spirit symbolized by the dove (a nice concession to the animal kingdom; never mind that the dove used to be sacred to Aphrodite).


But the text of the Second Commandment remained a problem, so the church simply changed it to “You shall not take the name of the Lord your God in vain.” The way the nun explained it to us in catechism classes, this was a prohibition of swearing and bad language in general, even if god’s name was not directly invoked.

We were amazed that using swear words was such a bad sin. Whose father didn’t swear multiple times a day? And what about us children, letting a “bad word” escape our lips when we happened to stub a toe, for instance? Were we doomed to hellfire for this? Today it seems silly, but at the age of eight and nine I agonized even over euphemisms. God would not be fooled by euphemisms, I knew that.

But swearing as a sin is a minor issue next to the falsification of the Second Commandment. The church knew that it would be hard for the average Christian to “relate to” an image-less deity, what with the beauty of polytheistic art still around in the early centuries. And art, with its emotional power, could be used to serve the church. In addition, most of the faithful were illiterate, and art could teach them the stories of the Gospels.

What the church did not predict was the Renaissance and the art that followed. Once human beauty was re-discovered and rendered in painting and sculpture, it would become a good thing in itself. When the plate-like solid halos go and the Madonna is presented as a beautiful young woman, it’s not a big step not only to secular portraits of beautiful women, but to Aphrodite. I’ll skip Boticelli’s famous Birth of Venus and the plump fleshpots by Titian and Rubens in favor of the little known Venus by Cranach -- talk about a fashion plate! (1531; Cupid is holding a honeycomb)



My favorite is still the graceful Aphrodite of Rhodes. How could such beauty, once rediscovered, remain non-subversive? Would we not rather look at Aphrodite than contemplate the five wounds of Christ?

Like Krawczuk, I admire the ethical teachings of Christ. What I condemn is the old-time Catholic cult of suffering and rejection of the world and the human body. I’ve added “old-time” because I realize that I speak of the past. The culture wars are not over, but it’s already certain which side is going to win: the pagan joy of life is back. The joy of the body is back. The gods have returned. 


** 

Post-script:

Here is a quotation from an earlier blog post about Milosz's two souls (one Catholic, the other pagan):

In A Year of the Hunter, Milosz reminisces: “I had even published in Verbum [a liberal Catholic periodical, in contrast to “the hideous Catholicism of The Knight of the Immaculate Virgin”]. Jerzy Andrzejewski [the author of Ashes and Diamonds] and I used to go retreats there, without any good results, but at least we honestly confessed to each other that the ascetic, prayerful atmosphere produced in us a wild craving for vodka and steak.” (p. 197) This craving for sensory satisfaction, rejected by Catholicism as sinful, is part of the pagan love of life, of carpe diem rather than the hope for heaven, which another liberal Catholic described as “only another hell, a hell of boredom” (Karol KoniƄski, quoted on p. 193).

And I was reminded of what Mary Krane Derr (now sadly gone from us) said: the life-hating, body-hating theology grew out of historical trauma, e.g. the Great Famine in Ireland. I think it didn't take anything as extreme as the Great Famine or the Black Death, though such disasters certainly induced the most theological cruelty, since disasters were seen as divine punishment. But let’s face it, in the past, everyday life was full of suffering (frequent war, disease, children dying; a lot of dying all around). Life was “short and brutish,” especially (but not only) for the poor, that religion naturally focused on the afterlife, rejecting the earth and the body as evil.

It's interesting, though, that the Greco-Roman civilization gave us the alternative: love of this life. The pagan gods were happy; no deity was centered on suffering.  

Hyacinth:

Just finished a biography of Tolstoy, and in the photos he appeared tall and in this he appears short. I picture him as commanding.

I liked the faint "lantern of our reason." When we are so soaked in our respective religions the reason is indeed faint and discouraged. I strongly believe life should be full of joy and laughter (the best medicine) and the arts bring me joy even the works based on religions. They are still beautiful  and treasures.

Even as a child I had difficulty accepting a cruel and jealous god and hell. Self-torture and punishment are so distasteful to me. I think of Dimsdale and the Scarlet Letter. Sickening.
 


Oriana:

The photo I used shows Tolstoy in old age. He was pretty tall for his times, and certainly long-lived. But note how miserable he looks. Here is another photo of him in old age, scowling:

 
Tolstoy at 80, Yasnaya Polyana

Though my mother, intimidated by my iron-willed grandmother, let me be raised as a Catholic, when I was ten or so she said, out of nowhere (perhaps she was reacting to my obvious anxiety and brooding), “There is no hell. God wouldn’t be so cruel.” I realized this was a huge blasphemy, and not believing in hell would be enough to doom you to hell for eternity. The pious view was that god would indeed be so cruel, except that the word for it was “just.” Even now, I think, many people speak of “justice” when they mean “vengeance.”

Religion of course has a vested interest in putting down reason.
At first the church wasn't entirely against reason; during the Middle Ages it even encouraged learning, based on the naive idea that reason would provide proofs of god's existence (and medieval scholars did come up with some, easily refuted). And the church was a patron of the arts, which eventually blew up in its face.

I too love beautiful churches and beautiful religious art. Most religious art is awful, but the masterpieces are ours to enjoy forever.

It took cruel men to invent a cruel god. The idea of compassion took a long time to evolve -- and even now cruelty is a heavy problem (Islam, Christian fundamentalists who do not “spare the rod” and carry posters threatening hell). Nietzsche: “Religions are, at bottom, systems of cruelty.”

Hyacinth:

I had problems with the threats in the Bible. Sounded too much like bullying. As for swearing I'm the worst though I did it silently when my children were little but that is what I heard growing up and even though my mother washed my mouth out with soap the words were there. Now I voice my frustration with the inability to do the most normal things such as opening a can or peeling an apple.  I do it a lot. Dropping thing brings on a swathe of bad language. I'm not proud of it but it's a fact, especially if it makes a mess to clean up, as in knocking over a pitcher of OJ.

 
Oriana:

The threats: let’s face it, religion works through intimidation more than anything else. Keep them scared, and you don't really need to invent an attractive heaven. Just make sure that hell is vivid. Monotheism in particular is fear-based, hell-based. As that Christian correspondent put it, he believes because faith is “fire insurance.” How pathetic!


In a matter of half a century, we have indeed moved a long way toward the joy of life, toward tenderness. As for swearing, what's so terrible about that? Is this a sin for which you’d send anyone to hell for eternity? It’s just so ridiculous, the things that got called a sin. I hope the word eventually disappears from the language.

But I used to worry for real. After communion you're supposed to be in the state of grace, and in old-time Catholicism, you went to communion only if you were in the state of grace, and not in the state of sin. But within a few days I might slip and fall, use a bad word, and oh, no! Sin! I'm back to being a wretched sinner! A child doesn't have a clear understanding of what constitutes "sin." I assumed that pretty much everything was sin. I was reluctant to get out of bed because I thought oh, no! soon I'll be sinning again! Funny now, but it was truly distressing back then.

Luckily for us, the gods have returned.



Scott:

Enjoyed your blog as usual, always thought provoking. Especially enjoyed the pictures and commentaries on Tolstoy. I have a book of his writings that has the picture you have of him, seated, on the cover. He is a source of endless fascination to me; rich, titled, talented, long life, loving wife, large family, fame in his own lifetime.....and utterly miserable! His many attempts at piety; no sex, no meat,  no smokes, making his own shoes, his strict code of ethics all failed to satisfy and reduced him to fleeing the safety and love of family to die in a train station...horribly tragic. As much as I admire Melville, he too was always running from wife and family; several sea voyages, a romp through Virginia during the Civil War and his latter years spent in a morose solitude...though he did write his best poetry in that period.


Oriana:

Both Melville and Tolstoy had not only discordant marriages, at least in later years, but also what I’d call “unresolved metaphysical obsessions.” Dostoyevski was blessed with a wonderfully supportive second wife with whom he remained passionately in love; he adored his children also, and they him. True, he admitted to being a doubter, but because of his personal attachment to Christ he managed to have a lot of positive emotions. And he freely expressed his doubt through some of his most memorable characters, so there was the joy of constant inspiration.

Running away from his wife and dying at a train station as a closure to a great writer’s life -- I know what you mean. I want to produce that blog I’ve been thinking about since my e-apocalyptic summer: The Day Dostoyevski Died. It’s an amazing story, filled with love.


Charles:

The quarrel between (faith, obedience) and (reason, beauty) is more complicated than what it appears on the surface.

"One man's freedom fighter is another man's terrorist" is not a Judeo-Christian value but that is what is taught in public schools today. Is that reason?

This concept of not knowing the difference between good and evil is winning in this world we live in. That can't be a good thing.

On the other hand, putting the fear of God in the mind of a child is child abuse.

After reading this blog it would be very difficult for an open-minded person to still be a believer in the doctrines of the church.

Looks like St. Jerome pounded a stone in his own chest.

My favorite section in the blog is NOT ONLY SCIENCE, BUT ALSO ART.

"Practical Atheism" is an entire book.

This is one of my favorite blogs. Congratulations.


Oriana:

I especially agree that indoctrinating a child with “the fear of God” is child abuse.

I also agree that Jerusalem versus Athens oversimplifies the conflict, and we most definitely need clear ethics. I am not a moral relativist. There is absolute evil, and we must not be silent about it.





Tuesday, May 31, 2011

MILOSZ AT THE GATES OF HEAVEN


     Czeslaw Milosz, Krakow 2002. Photo: Judyta Papp


AN ALCOHOLIC ENTERS THE GATES OF HEAVEN


What kind of man I was to be you’ve known since the beginning,
since the beginning of every creature.

It must be horrible to be aware, simultaneously,
of what is, what was,
and what will be.

I began my life confident and happy,
certain that the Sun rose every day for me
and that flowers opened for me every morning.
I ran all day in an enchanted garden.

Not suspecting that you had picked me from the Book of Genes
for another experiment altogether.
As if there were not proof enough
that free will is useless against destiny.

Under your amused glance I suffered
like a caterpillar impaled on the spike of a blackthorn.
The terror of the world opened itself to me.

Could I have avoided escape into illusion?
Into a liquor which stopped the chattering of teeth
and melted the burning ball in my breast
and made me think I could live like others?

I realized I was wandering from hope to hope
and I asked you, All Knowing, why you torture me.
Is it a trial like Job’s, so that I call faith a phantom
and say: You are not, nor do your verdicts exist,
and the earth is ruled by accident?

Who can contemplate
simultaneous, a-billion-times-multiplied pain?

It seems to me that people who cannot believe in you
deserve our praise.

But perhaps because you were overwhelmed by pity,
you descended to the earth
to experience the condition of mortal creatures.

Bore the pain of crucifixion for a sin, but committed by whom?

I pray to you, for I do not know how not to pray.

Because my heart desires you,
though I do not believe you would cure me.

And so it must be, that those who suffer will continue to suffer,
praising your name.

~ Czeslaw Milosz, This, 2000

**

Sober Reader, you yawn: yet another famous poet turns out to have been an alcoholic. “Heaven is the third vodka” – should we even bother discussing what for non-alcoholics is sheer nonsense? And is it really true that great writers need a “charismatic flaw,” as the literary critic Leslie Fiedler claimed, that flaw generally being dependence on alcohol?

Milosz writes: “My real drinking began in earnest in occupied Warsaw with my future wife Janka and Jerzy Andrzejewski (author of Ashes and Diamond) . . .  I drank a lot, but always took care to separate time for work from time for letting go . . .  Alas, too many generations of my ancestors drank for me to have been free from the urge for the bottle.” (Milosz’s ABC, p. 18)

The fact that Milosz had the self-discipline to separate work and drinking possibly accounts for his amazing creativity in old age. Or maybe it was the positive emotions generated by the Nobel Prize when he was almost seventy, receiving recognition and adulation at last. I prefer not to delve into this puzzle, except for acknowledging how inspiring it always is to find a writer who in his or her old age experiences a creative blossoming rather than a decline. Instead, I am interested in the acutely bitter tone of this unique poem. Is this Job speaking, subtly accusing the Old One (as Einstein liked to refer to God)? Let’s not forget that Milosz is a metaphysical poet, and can provide us with a certain metaphysical shiver when we consider the kind of cruel deterministic theology that is still very powerful, while progressive Christian theologies remain anemic.

“An Alcoholic Enters the Gates of Heaven” is especially interesting in the light of the recent prediction by a fundamentalist preacher, Harold Camping (a happy camper, since he regards himself as one of those predestined to taste paradise) that the Last Judgment would take place Saturday May 21st at 6 PM (Eastern Standard Time, I think). I have also just read an interesting summary of crucifixion-centered theologies versus progressive theologies. The preacher who was predicting the end of the world belongs to the first tradition, of Christ seen both as a sacrificial victim, a "sin sacrifice," and – this seems an egregiously un-Christian concept – as the ultimate judge who will accept the chosen few and hurl billions of souls into eternal torment.

Progressive theologies, on the other hand, are fascinated by early Christianity that emphasized agape (loving kindness; a community of affection) and paradise rather than hell. The basic tenet of progressive theologies is that the Second Coming is the birth of Christ Consciousness within us and among us, in the global community. We are here to build the kingdom of God on earth. God intends all souls to be saved. Paradise is here and now.

Alas, progressive theologians do not seem to have the PR resources commanded by the “blood of the Lamb/Armageddon” theologies. The only time there seemed to be true hope for progressive theologies was when Rabbi Kushner’s famous book, When Bad Things Happen to Good People, became a best-seller. Kushner posited a deity with limited powers, one who neither causes nor prevents cancer, heart attacks, tsunamis, and other disasters. God does not decide which child will get leukemia, or who will grow up to be an alcoholic. Some evil is the work of natural laws (these days, an earthquake is rarely called an “act of God”); other kinds of evil are the work of man. Afterwards, everything depends on our response: do we curse and despair and can’t move on, or do we summon the strength to transcend the tragedy? Faith is one of the resources that can increase people’s strength to endure and recover. (Twelve-step programs also come to mind.)

Alas, Milosz was brought up in old-time Catholicism. Even though he forayed into such unorthodox theologians as Swedenborg and Simone Weil, he could not accept the notion that God’s power is limited and it wasn’t God who planted alcoholic genes in a particular individual: it just happened. The first lines of the poem tell us that God knew who’d be an alcoholic “since the beginning of every creature,” i.e. since the moment of creation. Predestination? Yes. A Calvinist doctrine, is has wormed its way into any theology which agrees with the statement, “Everything that happens is the will of God.” And if the belief in omniscience, including the knowledge of everything that will happen, is the required trait of divine perfection, then logic grimly leads to the conclusion that only predestination can account for omniscience. Everything was decided for eternity at the moment of creation. And countless millions were predestined to become alcoholics.

What kind of man I was to be you’ve known since the beginning,
since the beginning of every creature.

I remember my father’s saying that the only way out of these theological conundrums is those religions where the gods have limited knowledge and limited power. This idea has been around for a long time, certainly long enough for Milosz to have heard of it. But when the doctrines of omnipotence and omniscience are drummed into a child’s mind, reinforced with the fear of eternal damnation is you dare question dogma, it is difficult to shake off toxic beliefs. It seems to me that Milosz caused himself untold anguish by not being able to liberate himself from the toxic theology of “old-time religion.”

True, the Catholic Church emphasizes free will. I don’t remember the word “predestination” being ever used in my catechism classes. In fact the existence of evil was explained in a simple and powerful way: “Because God has granted man free will.” Thus God will allow genocide rather than interfere with man’s free will. Case closed. It’s only the more intellectual Catholics who ponder omniscience, connect the dots, and arrive at the moral monstrosity of predestination.

It is interesting that in this poem Milosz does not use the capital “You.” Maybe the god who predestines so much suffering doesn’t deserve to be capitalized. In fact, already in the second stanza, the poet winces at the idea of what it must be like to be an omniscient god who knows what will happen since he planned it down to the smallest detail. Milosz startles the reader by announcing that it must be horrible to be God:

It must be horrible to be aware, simultaneously,
of what is, what was,
and what will be.

~ and later

Who can contemplate
simultaneous, a billion-times-multiplied pain?

and then the stanza that is bound to shock the pious:

It seems to me that people who cannot believe in you
deserve your praise.

But the pathos of the poem lies in the personal part:

I began my life confident and happy . . .
I ran all day in an enchanted garden.

Not suspecting that you had picked me from the Book of Genes
for another experiment altogether.
As if there were not proof enough
that free will is useless against destiny.

Note also:

Under your amused glance I suffered
like a caterpillar impaled on the spike of a blackthorn. [emphasis mine]

The experiment of making someone an alcoholic somehow amuses this kind of God, even though the results are known in advance. Maybe God would be bored if the world were filled with goodness. He wants to be entertained with some people’s drunken antics, their remorse, their broken promises. If the alcoholic’s wife and children suffer, that’s “collateral damage.”

The speaker wonders if perhaps he is like Job, being tested to see not so much if he’ll curse God (cursing God would imply that God exists), but, in the modern context, if he’ll become an atheist and decide that the world is ruled by accident.

I asked you, All Knowing, why you torture me.
It is a trial like Job’s, so that I call faith a phantom
and say: You are not, nor do your verdicts exist,
and the earth is ruled by accident?

The God who performs such experiments, having already predestined their outcome, the God who can contemplate pain multiplied billions of times, does not appear to be synonymous with love. Let me quote the startling lines again:

It seems to me that people who cannot believe in you
deserve your praise.

The poet then ponders the possibility that God is not an amused sadist, but is overwhelmed by pity instead. The proof of it is crucifixion

for a sin, but committed by whom?

By Adam and Eve? Is it the old “ransom” theology here, demanding that someone must pay with blood for the first humans’ having dared to reach for knowledge? Or is it the sum of the collective sin, all the sins committed in the past and present, and the sins about to be committed in the future? The whole obsession with sin seems a monstrosity.

Nevertheless, Milosz decides that atheism would be impossible for him

Because my heart desires you,
though I do not believe you would cure me.

Here Milosz falls into his own trap, since if God happened to predestine his cure, then the cure would certainly happen. So “I do not believe you would cure me” stems from some bitter intuition that cannot be rationally explained.

Milosz knows that faith rests on emotional need, not on reason. And thus, like Job, he decides that the solution is to praise the author of the suffering. Thus he joins the community of those who “continue to suffer, / praising your name.”

Czeslaw, I want to scream, even the gospels provide a less deterministic and sin-obsessed scenario. For instance, in Matthew 25: 31 and onward, we see that the Last Judgment separates not the sinless from the sinful, but those who did good works such as feeding and clothing the poor and visiting the sick from those who did not perform such kind deeds. Thus, at least according to St. Matthew, doing good is the criterion for admission to heaven. Long live orthopraxy (right conduct) as opposed to the Protestant doctrine of “by faith alone” (sola fide). I have always praised the Catholic church for maintaining that faith without works is dead: “For as the body without the spirit is dead, so faith without works is dead also” (James 2:26).

Nevertheless, we are still stuck with the existence of eternal punishment, even if the non-doers of good somehow deserve it. The hellfire that is the foundation of traditional Christianity remains a problem. The current Pope, a former Grand Inquisitor in charge of maintaining the purity of the doctrine, has changed the definition of hell to a state of mind in which a human being is separated from God. Thus, hell can be experienced here on earth (no one would argue with that), and it need not be eternal. It seems that almost everyone experiences both hell and heaven right here on earth, and several times at that. Swedenborg’s idea that a soul can decide to leave hell for heaven makes intuitive sense.

And simply dropping the idea of predestination, even if it implies no omniscience, would cleanse God of the charge of cruelty. No need to posit an “amused glance.” Karl Barth, regarded as one of the greatest theologians who ever lived, rejected immutable predestination at the moment of creation because it would negate grace and Christ’s power of redemption. (It puzzles me that Milosz would not be of the same persuasion. Is not believing that God would cure him equivalent to the sin of despair?)


Likewise, if we assume the atheist position, the universe may be indifferent, but at least it does not watch our suffering with an amused glance.



Besides, both chaos theory and quantum theory cast doubt on the deterministic universe. It can seriously be doubted if Milosz’s genes were determined in the first nanosecond of the Big Bang. As for the so-called genetic lottery, neither malice nor kindness was involved, no Job-like experiment and no amusement – and we are learning that DNA is not destiny.


Furthermore, Milosz did admire and accept Sartre’s “philosophy of freedom.” One of its main tenets is that the present changes the past. We know that human memory is meaning-based, and that meaning is subject to evolution and insight. This is what allowed Milosz his escape from depression by “escaping forward.” There may be no consolation, but there is work to be done. It’s pointless to be stuck in the Middle Ages, wasting time on theological conundrums. And besides, as the title indicates, even an alcoholic can enter heaven. For me, this means heaven right here, right now – right this moment as I am typing these words, knowing they might be helpful to someone – or at least interesting. And even apart from that, and in spite of aches and pains and dissatisfactions, there is an elementary pleasure in existing.


Actually, this poem interests me not because of its presentation of old-time theology, but because I see a wider meaning that has nothing to do with religion. I see it as somewhat related to Jack Gilbert’s “A Brief for the Defense,” which also deals with the existence of enormous suffering in the world. Great poets and writers frequently grapple with the problem of evil, of innocent suffering, and that is one reason we regard them as great.

The question need not be whether to praise God, but whether to continue to affirm life in spite of suffering. One thing that a writer can do is fully acknowledge and lament suffering, but also juxtapose it with something good. Even if the world ends on some fine Saturday, we can still take delight in the blossoming jacarandas and whatever other fragments of paradise are within our sight. “We must risk delight,” as Gilbert puts it. That, perhaps, is the greatest piety.



Milosz did know how to risk delight. Poems of his that people tend to love most are not Augustinian torments, but an acknowledgment that we do the best we can and that life is a gift, and our cup runneth over:


GIFT

A day so happy.
Fog lifted early. I worked in the garden.
Hummingbirds were stopping over the honeysuckle flowers.
There was no thing on earth I wanted to possess.
I knew no one worth my envying him.
Whatever evil I had suffered, I forgot.
To think that once I was the same man did not embarrass me.
In my body I felt no pain.
When straightening up, I saw blue sea and sails.

Berkeley, 1971



“Gift” is one of Milosz’s Blakean songs of innocence, at least borderline transcendent: a day in which the ordinary earthly life is a paradise – if only we forget the evil we have suffered, do not feel guilty or embarrassed by our past, and envy no one. To see the birds, the flowers, the ocean with no thought of the self – “if the doors of perceptions were cleansed, everything would appear to man as it is, infinite” – that, sages agree, is paradise. And if we experience enough paradise here on earth, perhaps the longing for some vague heaven will lose at least some of its appeal. If not, then we have to seriously reconsider the concepts of God and the kind of afterlife that would be something else than floating in the clouds, “doing nothing and nothing forever.” That can never be a poet’s dream. A poet takes the gift of his/her life and transforms it into a gift for others. That would be heaven enough for me. 



                                        Milosz, Krakow 2001. Photo: Judyta Papp
**

You may be wondering how Milosz managed to live to be ninety-three, sharp and productive to the end. It’s possible that alcohol actually helped him. Recent studies on drinking have come up with politically incorrect results. It turns out that even heavy drinkers outlive tee-totalers. The effect of alcohol in preventing heart disease and stroke is greater than the effect of measures such as exercise, diet, and statins.

Benefits of moderate drinking (1-2 glasses a day; daily alcohol consumption is more beneficial than less frequent drinking) includes decreased incidence of heart attack and stroke, diabetes, arthritis, rheumatoid arthritis, dementia, several major cancers, osteoporosis, gallstones, kidney stones, thrombosis, and enlarged prostate.

Large recent studies have established that people who drink 1-2 glasses a day have the lowest death rate from all causes.

It doesn't have to be red wine since the benefits are due to alcohol per se. Alcohol is anti-oxidant and anti-inflammatory, and dilates blood vessels better than anything else. It also raises the levels of serotonin.

Why even heavy drinkers tend to live longer than tee-totalers is unclear. Stress reduction may be the main factor.



                                                 Photo: Judyta Papp

But there is heavy habitual drinking, and then there is the tragedy of progressive, out-of-control alcoholism. Binge drinking, and/or drinking the first thing is the morning, are signs of advanced alcoholism, with its shortened life expectancy. Given that Milosz lived to be ninety-three, and continued to be productive, my guess is that his alcoholism, while undeniable (“Heaven is the third vodka” – take that, all you theologians who would define heaven!), was not of the worst kind. The pious may take it as a sign of grace. I am simply grateful that Milosz had a wonderfully productive old age, creating fascinating poems.


(My thanks to Jon Wesick for enlightening me on chaos theory and quantum mechanics in regard to the concept of the deterministic universe) 



Michael (from Walker Pass, waiting for the snow to melt so he can resume hiking on Pacific Crest Trail):


If one must order life by shuffling pieces around on the game board called god, predestination is a worthy fiction, as are a 7-day creation, sin, heaven, and hell. If. Feats of creativity at playing this game are written on every dusty page of Christianity. If. But my impatience is large. I cannot sit quietly by watching men and women earnestly working out the next move when the game board itself should be scrapped. We need to begin again. 

Oriana:

I completely agree with you. In Wisdom of the Psyche, (thanks for recommending the book), Ginette Paris says more than once that it’s still very soon after the death of God, and it will take a few more generations before we (at least the Western civilization) are done mourning and fully concentrate on living this life well, doing our best to create at last an approximate paradise of beauty and affection and meaningful work right here on earth. 



Doing away with both predestination and divine punishment was announced also by Rabbi Kushner in his When Bad Things Happen to Good People. It is possible to develop a spirituality without a cruel, monstrous being who in the moment of creation decided which child to make leukemic, which deformed, which doomed to struggle with alcoholic genes, and so on. Nor is everything that happens to be seen as either punishment or reward. The same goes for the equally monstrous law of karma that exacts retribution for something done during a lifetime four hundred years ago. I love the way both Kushner’s and Paris’s books praise the healing power of human affection.




I think we also have to deal with the human, all too human yearning for the absolute. It took me a while to realize that aside from facts such as “the earth is round,” we simply can’t speak of absolute truth. We speak of points of view, perspectives, interpretations. I used to yearn for a divine voice (or any voice of superior wisdom) to explain the meaning of my life to me. Then with the suddenness that tends to accompany insight, I realized that there is no such thing as THE meaning of my life. We have a meaning-seeking brain, however, and mine set to work in no time to provide possible meanings, depending on the point of view.


Oddly enough, that turned out to be more satisfying than hearing some variation of that “divine voice” I used to yearn for. If I were to hear that voice now, I’d immediately reply, “From whose point of view?” Anything absolute now strikes me as constricting and authoritarian. But it takes a lot of life experience to stop waiting for THE answer, THE book, THE man, THE job. The list varies somewhat from person to person, but the notion of the absolute and of magical, all-satisfying person or condition underlies it all. Not all people manage to outgrow the yearning for the absolute; there are octogenarians still waiting for their Prince or Princess instead of loving the imperfect partner they are lucky to have. But as ideas such as multiple perspectives, more than one vocation per lifetime, partial truth and partial satisfaction make their way into the collective psyche, there is at least hope for more maturity and tolerance. 


Hyacinth:

My favorite poem by Milosz is “The Gift”. Milosz touches me in some of his lines and these are the most lyrical and touching. I read a quote from Thoreau this morning: "My truest, serenest moments are too still for emotion; they have woolen feet." That I understand: these moments of silence of the "soul." There are certain meadows and moments that have "woolen feet" for me too.

Oriana:

Let me shamelessly digress with this precious quotation about Thoreau:

Alcott and George William Curtis were both visiting Mr. Ricketson, and interesting discourse had gone on at the dinner, Thoreau talking very well. After dinner, Alcott and Curtis went with Mr. Ricketson to his “Shanty” for serious talk, but the others went into the parlor to consult some bird book. Mrs. Ricketson, playing at her piano, struck into “The Campbells are Coming.” Thoreau put down his book and began to dance—a sylvan dance, as of a faun among rocks and bushes in a sort of labyrinthine fashion, now leaping over obstacles, then advancing with stately strides, returning in curves, then coming back in leaps. Alcott, coming in, stood thunderstruck to see “Thoreau acting his feelings in motion” as he called it. Alcott did not have that kind of feelings. 

Edward Waldo Emerson, Henry Thoreau as Remembered by a Young Friend, 1917 (the youngest son of the famous Emerson)

“The Gift” is a timeless, wonderful poem. I hope Milosz had many more of those moments, and didn’t really lose sleep over predestination – though we can’t be sure. A nasty theology can do so much damage. I mean chiefly the classic Calvinism with its “total depravity” and “limited election.” It horrifies me that people went for it.


Mary:

It's not surprising that Milosz lived with alcoholism. So many poets have mood disorders and self-medicate. I recognized something bipolar in Milosz when I discovered his work in my teens, though I didn't yet know that word or description. There is something about alcoholic thinking that meshes with the theology of this poem – the fear, guilt, shame. At the same time, I wonder, why did humans evolve to have genes for alcoholism?

Biologists have found adaptive purposes for other disease genes. Two copies of the sickle cell gene create sickle cell anemia, but one copy, like my half African American grandson has, confers resistance to malaria. And even when people end up with genetic diseases – not all but a part of the suffering is due to disability not as some predetermined biological damnation to an irredeemably horrible life, but as the construction of an excluding, unaccommodating culture. I have a number of genetically based disorders – a big reason for my fatigue – and have thought about this issue a lot. Maybe there are dimensions to it that go beyond the individual's suffering, intense as that can be.

Oriana:

Alcoholism among creative people is certainly no surprise. Neither is the bipolar disorder. I can understand the temptation, even among some professionals, to associate mood disorders and alcoholism with creativity. But I’ve come across too many alcoholics who were NOT creative (reminding me of “Artists are such fools.” – “There are so many fools who are not artists) to make me swallow the supposed connection between alcohol and the “inner fire” of creativity.

True, creative and high-achieving people very often have something at least partly abnormal about them, something that makes them outsiders who deeply understand the tragic dimension of human existence. But alcoholism is a particularly destructive way of being abnormal, most often leading to premature creative decline.  Milosz’s alcoholism was of the fascinating “disciplined” sort. The capacity for self-restraint and persistent, disciplined effort are also supposed to be genetic. Perhaps Milosz should have been mainly thankful for his genes. I feel the poem presents an unfortunate, mistaken perspective. Imagine if we had here a poem of thanksgiving instead! Milosz’s poems of gratitude also happen to be more lyrical.

I’ve come across the theory that there is less alcoholism among Mediterranean peoples because they have lived with alcohol for thousands of years, and the worst alcoholics – those who start drinking heavily already in their teens – just didn’t get to live long enough to reproduce in a significant way, so those genes got “weeded out” over many centuries (hence the myth that there are no Jewish alcoholics). In Northern Europe – so the theory goes – not enough time has elapsed, and now alcoholics get to live longer, etc. These theorists also point out to the Native American population: look what happened when whisky was introduced. 

I don’t know if I buy that, but the persistence of alcoholism has certainly been one of the genetic puzzles. My guess is that it is not purely genetic. As you say, culture has something to do with it. A repressive, stress-causing culture, one that uses “fear, guilt, shame” to manipulate people, creates the conditions when “release” is of tremendous value. There are certainly alcoholics in every social class, but it seems to me that the association with poverty and the “social bottom” is real. I’ve been to places in rural America where it’s just scary to see those hollow faces and burned-out eyes, especially in women.

In terms of “side benefits,” it’s been pointed out that early on in the disease, thanks to having reliable stress release, an alcoholic has an advantage over the “normie,” and can do better in a stressful job. Drinking is easier than meditation or physical exercise. I am terrifically grateful for having been spared the alcoholic genes, so I was forced to find other means of escape – or I’d probably be dead by now. Fortunately, my love of books and ideas created a sufficiently rewarding alternate reality for me. Once I had a marvelous dream about having decided to commit suicide and walking around a (generic) college campus and saying goodbye to strangers. Then, in the dream, I stood in front of the library, glassy, all lit up. And I woke up in awe, repeating, “So many books! So many books!” And of course I have writing too. I am so blessed.

Stress reduction, art education, enjoyable physical exercise, affordable mental health services – wouldn’t it be wonderful if we had more of these? There’d still be alcoholism and other substance abuse, but to a lesser degree, I think, since the amount of stress is a well-established factor. I think lives might be saved. And no toxic theology please.