Showing posts with label Walt Whitman. Show all posts
Showing posts with label Walt Whitman. Show all posts

Wednesday, September 24, 2014

WILLIAM JAMES: THE ONCE-BORN

Blake: Pity


I believe in the flesh and the appetites,
Seeing, hearing, feeling, are miracles, and each part
   and tag of me is a miracle.

Divine am I inside and out, and I make holy
   whatever I touch or am touched from;
The scent of these armpits is aroma finer than prayer,
This head is more than churches or bibles or creeds.

~ Walt Whitman, “Leaves of Grass,” 24

We still marvel at Whitman’s self-confident faith in his own divinity. When I say “we” I mean those spiritually brave or insolent enough not to be outraged by his assertion “Divine am I inside and out” — these days students tend to be more religious and conservative than the faculty. And to think that in the sixties and seventies young people boldly blasphemed about the “cleansing the doors of perception.”

How was Whitman seen in his own times? As a radical to be sure, but mostly because, with few exceptions, his poems did not rhyme. Unlike Baudelaire, whose Flowers of Evil made him endure an obscenity trial, Whitman’s problem was getting any attention — that’s why he wrote reviews of his own work using a variety of pen names. In a chain store in Los Angeles I found his book in the Gardening section. I placed it in the slim Poetry section (consisting almost entirely of Rumi). The next time I was in the same store, Whitman was back in the Gardening section.

 
Once Whitman would have been burned at the stake, but he lived in more lenient times, eventually becoming known as the “good gray poet.” He was raised as a Quaker, a believer in personal contact with the Holy Spirit rather than in any dogma. In his poems he worked out his own spirituality, simpler by far than Blake’s or Yeats’s.

In The Varieties of Religious Experience (1902), William James makes Whitman the epitome of the “once-born.” Let me quote James:

“God has two families of children on this earth,” says Francis W. Newman, “the once-born and the twice-born," and the once-born he describes as follows: “They see God not as a strict Judge, not as a Glorious Potentate; but as the animating Spirit of a beautiful harmonious world, Beneficent and Kind, Merciful as well as Pure.”

. . . The advance of liberalism in Christianity, during the past fifty years, may fairly be called a victory of healthy-mindedness over the morbidness of the old hell-fire theology. We have now preachers who ignore, or even deny, eternal punishment, and insist on the dignity rather than on the depravity of man. They look at the continual preoccupation of the old-fashioned Christian with the salvation of his soul as something sickly and reprehensible.”  


   
 Let’s pause for a moment to digest this. Francis Newman was the younger brother of the famous Cardinal Newman, but far less orthodox. He objected to infant baptism. There were also rumors that he did not believe in eternal punishment, implying (horror!) that god would not be so cruel. Since hell and the crucifixion as the “bloody ransom” from Satan were the very foundation of organized Christianity, Francis Newman was mocked and criticized, a writer of fine but now forgotten essays. I am thrilled that William James brings him and his concept of the “once born” out of oblivion.

The “once-born” are those rare (at least in the 19th century) individuals who do not see god as a “strict judge.” Shockingly, they believe in a kind, merciful deity, “the animating Spirit of a beautiful harmonious world.”

Must we be “born again”? No, the once-born would reply. We need only to see that we are good, the world is good, and god is good — and that the best way to worship is to feel joy.

It’s clear that James does not really approve of the once-born. They are too cheerful to crave religion. They don’t seem to need it. Let again me quote James:

“As examples are better than descriptions, I will quote a document received in answer to Professor Starbuck's circular of questions. The writer's state of mind may by courtesy be called a religion:

        Q. What does Religion mean to you?
        A. It means nothing. Praying, singing of hymns, and sermonizing are pernicious — they teach us to rely on some supernatural power, when we ought to rely on ourselves.
        Q. What things work most strongly on your emotions?
        A. Lively songs and music; Scott, Burns, Byron, Longfellow, Shakespeare. I greatly enjoy nature.
        Q. What is your notion of sin?
        A. It seems to me that sin is a condition, a disease, incidental to man's development not being yet advanced enough.

If we are in search of a broken and a contrite heart, clearly we need not look to this brother. We have in him an excellent example of the optimism encouraged by popular science.”

*

Let’s stop here again. James announces that in the once-born we find no “broken and contrite heart” that seems a prerequisite for salvationist religiosity. Earlier in the book James describes the once-born as those “whose soul is of this sky-blue tint, whose affinities are rather with flowers and birds and all enchanting innocencies than with dark human passions, who can think no ill of man or God, and in whom religious gladness, being in possession from the outset, needs no deliverance from any antecedent burden.”

This is a somewhat (?!) patronizing description of a child-like person “whose affinities are rather with flowers and birds and all enchanting innocencies than with dark human passions.” They stroll about looking at flowers rather than thinking of the hell under the thin flower-bearing crust of the earth. Can such an innocent even be a poet? Where is the trauma, the storm, the Byronic and Nietzschean torments that drive the compulsion to be creative? Not, apparently, in the once-born.

Yet Whitman’s achievement severely undercut James’s dismissal of him as pathologically optimistic. Though James doesn’t use the word, the reader can sense the severe censure of the word “shallow” trying to push through terms like “enchanting innocencies.” But then it’s only in the later decades of the twentieth century that both Whitman and Emily Dickinson were pronounced to the be greatest American poets — both completely unorthodox when it comes to religion (Anna Akhmatova would have called them “heresiarchs,” along with Tolstoy and Dostoyevski). 

“CUDDLING UP TO GOD”
 

In a footnote, James even quotes a woman who told Newman that it gives her great pleasure to think she “could always cuddle up to God.” And then there was of course that great heresiarch, Whitman: “The supreme contemporary example of such an inability to feel evil is of course Walt Whitman. “His favorite occupation,” writes his disciple, Dr.Bucke, “seemed to be strolling or sauntering about outdoors by himself, looking at the grass, the trees, the flowers, the vistas of light, the varying aspects of the sky, and listening to the birds, the crickets, the tree frogs, and all the hundreds of natural sounds.”

Imagine! Cuddling up to god instead of thinking of one’s sins and praying for mercy . . . (dog chin

“NEW THOUGHT,” THE FORERUNNER OF NEW AGE

 
I find James quite relevant even today, so let me quote further:

“To my mind a current far more important and interesting religiously is that which has recently poured over America and seems to be gathering force every day, to which I will give the title of the 'Mind-cure movement.' This 'New Thought,' is a deliberately optimistic scheme of life, and it must now be reckoned with as a genuine religious power.

Let me pass to some concrete accounts of experience with the mind-cure religion. One of them, a woman, writing as follows:

‘The first underlying cause of all sickness, weakness, or depression is the human sense of separateness from that Divine Energy which we call God.’

On the whole, one is struck by a psychological similarity between the mind-cure movement and the Lutheran and Wesleyan movements. To the anxious query, "What shall I do to be saved?" Luther and Wesley replied: "You are saved now, if you would but believe it." And the mind-curers come with precisely similar words — “You must awaken to the knowledge of your real being.”

Let’s pause again. This real being, this essence, is the divinity of man, rather than his “total depravity.” Divinity, not depravity. This is a revolution in perception! Speak about culture wars and the rise of the opposite of Calvinism . . .  It saddens me to think of the slower evolution of Catholicism, mired as it was in the cult of suffering.

The “divinity of man” is a term embraced by New Age devotees, but avoided by those who see themselves as secular; they see it as tainted with religion. A century after James’s famous
book was published, the most frequent term for this “divinity” is “human dignity.” The acknowledgment of human dignity presupposes that human beings are essentially good by nature rather than “fallen.” Ideally, they are also “healthy-minded,” as James calls it: optimistic and full of the joy of life. To quote that king of the healthy-minded, Walt Whitman:

I think I could turn and live with the animals, they are so placid and self contained;
I stand and look at them long and long.
They do not sweat and whine about their condition;
They do not lie awake in the dark and weep for their sins;
They do not make me sick discussing their duty to God;
Not one is dissatisfied-not one is demented with the mania of owning things;
Not one kneels to another, nor his kind that lived thousands of years ago;
Not one is responsible or industrious over the whole earth.


 
 Here is one family no one would call dysfunctional

JAMES ON THE “SICK SOUL”

In contrast to the healthy-minded (it’s striking that James doesn’t call them “healthy souls”), the sick souls seek to “maximize evil” and magnify the sense of their own sinfulness — perhaps somewhat the way the depressed seek to increase sadness. It’s the sick souls that “lie awake in the dark and weep for their sins” — or for their failure to live up to mother’s expectations.

Let me continue to quote from James; what he says deserves renewed attention, since hell-fire theology is by no means dead.

“The healthy-minded live habitually on the sunny side of their misery line; the depressed and melancholy live beyond it, in darkness and apprehension. Does it not appear as if one who lived more habitually on one side of the pain-threshold might need a different sort of religion from one who habitually lived on the other?

What single-handed man was ever on the whole as successful as Luther? Yet when he had grown old, he looked back on his life as if it were an absolute failure.

A Catholic philosopher, Father Gratry, writes:

        “I thought myself, in fact, rejected by God, lost, damned! I felt something like the suffering of hell. Before that I had never even thought of hell. Heaven did not seem to me worth going to. It was like a vacuum; a mythological elysium, an abode of shadows less real than the earth.”

So much for the incapacity for joyous feeling. A much worse form of melancholy is positive and active anguish. I quote from a patient in a French asylum.

        “I am afraid of God as much as of the devil, so I drift along, thinking of nothing but suicide, but with neither courage nor means here to execute the act. Oh, if he would but kill me, devil take him! Death, death, once for all!”

At about the age of fifty, Tolstoy relates that he began to have moments of perplexity he calls arrest, as if he knew not “how to live.”

        “I felt that something had broken within me on which my life had always rested. Behold me then, a man happy and in good health, no longer going shooting, lest I should yield to the too easy temptation of putting an end to myself with my gun.”

When disillusionment has gone as far as this the happiness of Eden never comes again. We find a somewhat different type of religious melancholy in John Bunyan's autobiography.

        “If now I should have burned at the stake, I could not believe that Christ had love for me. My original and inward pollution, was my plague and my affliction. I was sorry that God had made me a man.”

Neither Bunyan nor Tolstoy could become what we have called healthy-minded. They had drunk too deeply of the cup of bitterness ever to forget its taste.

Here is the real core of the religious problem: Help! help! No prophet can claim to bring a final message unless he says things that will have a sound of reality in the ears of victims such as these. But the deliverance must come in as strong a form as the complaint. Buddhism and Christianity are are essentially religions of deliverance: the man must die to an unreal life before he can be born into the real life.”


 Michelangelo, The Damned Soul 

“NO MORE NEED OF SALVATION THAN A SQUIRREL”

~ The feeling that one is worthless and a total failure is of course known excruciatingly well by anyone who has suffered from repeated episodes of serious depression. This feeling of of being a worthless failure lies at the core what William James calls the “sick soul.” It doesn’t matter if the guilt and worthlessness are imaginary; the sick soul feels it doesn’t deserve to live. It’s the sick soul that is open to the idea of “salvation.” The healthy soul “has no more need of salvation than a squirrel,” as George Elliot put it in Middlemarch. 



NATURALISM VERSUS SALVATIONISM

The “once-born,” James says, tend to live in peace and contentedness; they feel in harmony with nature and don’t worry about metaphysical issues. “Their impulses are consistent with one another, their will follows without trouble the guidance of their intellect, their passions are not excessive, and their lives are little haunted by regrets.” 

(I am not sure if Whitman’s passions were “not excessive,” but let that be.)

The healthy-minded, the “once-born,” do not deny the existence of suffering, but they would not say that life IS suffering. Life is both suffering and joy, with the balance leaning to joy. Nor would they call themselves “miserable sinners”; they’ll admit they made mistakes, but they don’t sit in judgment on themselves. On the whole the once-born feel that they are good, and that most humans are good. From the point of view of the sick souls, what nerve!

AMERICANS DON’T SEE THEMSELVES AS SINNERS

 
(A shameless digression: Coming from a Catholic country, I was immediately struck by the perception that Americans don’t think of themselves as sinners. The average American does not label himself a sinner, much less a miserable sinner. He has no habit of beating his chest, saying Mea culpa, mea culpa, mea maxima culpa — something that I, along with other children in my religion class, was taught already at the age of eight. As a Catholic, at eight you were already a sinner; only radicals within the church thought that the age of moral responsibility should be raised to twelve.)

(Another shameless digression: Even American Jews don’t seem to know how to suffer properly. I witnessed a worried young woman ask a rabbi if it’s OK to eat pizza on Passover. Yes, he replied, because that’s unleavened bread; he also OK’d enchiladas. True, that still leaves a reservoir of available guilt over the minutiae of observance, but when Passover has devolved to pizza, we don’t get the right quality of self-torment.) 



THE TRAUMATIZED, SELF-TRAUMATIZING SOUL AND OPENNESS TO CONVERSION

Those meant to be “twice-born” are more complex, their mind a battlefield of competing selves (today we might refer to “competing neural networks”). Here is more James: “If the individual be of tender conscience and religiously quickened, the unhappiness will take the form of moral remorse and compunction, of feeling inwardly vile and wrong, and of standing in false relations to the author of one’s being and appointer of one’s spiritual fate.”

Nietzsche would undoubtedly agree: to be a devout Christian, you first must be made to feel guilty, especially in relation to an unrealistic ideal of saintliness. That’s the essence of “the hangman’s metaphysics” — the commandments were created to be broken, so that people would feel perpetually weak and guilty. Then in your unhappiness over your vile self you will seek “salvation.”

If you don’t feel you’re a sinner, there’s little hope that will take organized religion seriously — though you may, like Whitman, construct your own maverick happy spirituality whose main mode of worship is joy. Imagine, instead of becoming a self-flagellating nun, you go on for a walk like Whitman, perfectly happy with the world and with yourself.

It’s the sick, self-tormenting soul (“The traumatized soul is self-traumatizing” ~ Greg Mogenson, “God Is a Trauma” — yes, this is the book with which I executed an insolent fly) — the human being who feels utterly flawed and worthless, who is open to conversion. But, based on my own experience and that of many others, the relief may be also be obtained by dropping the religion that makes one feel sinful and worthless. As James himself says, “Conversion is in its essence a normal adolescent phenomenon, incidental to the passage from the child’s small universe to the wider intellectual and spiritual life of maturity.” And that “wider intellectual life” may be reached by breaking out of the prison of toxic religion. When religion undermines your already fragile sense of self-worth, losing faith is a glorious liberation from both the invisible bully in the sky and the quite visible social bully, the church. 


I wonder how James would react if he somehow guessed that in our times religious conversion, or conversion to more devout religiosity, would become the less frequent version of adolescent being “born again.” Losing the childhood faith during adolescence is almost a cliché. 

One’s childhood faith is an accident of birth rather than a deliberate choice. A hundred years after James, discarding the accidental religion of childhood is how we step into the wider life. For me the great change of the “born again” sort came only when I decided not to be depressed. That was the true yes to life and to myself, to real “no-excuses" adulthood. But the FIRST STEP TOWARD ADULTHOOD, the one that took the most courage, was leaving the church. Julia Sweeney’s words instantly resonated with me:

“It took me years, but letting go of religion has been the most profound wake up of my life. I feel I now look at the world not as a child, but as an adult. I see what's bad and it's really bad. But I also see what is beautiful, what is wonderful. And I feel so deeply appreciative that I am alive. How dare the religious use the term 'born again.' That truly describes freethinkers who've thrown off the shackles of religion so much better!”  ~ Julia Sweeney

COLERIDGE AND RILKE: THE STRING THEORY

The optimistic “once-born” mentality and the torments of the “sick soul” can be found outside of mainstream religion. Furthermore, they can be found in the same person at different stages of life. Coleridge sounded “once-born” when he wrote “The Eolian Harp”:

O! the one Life within us and abroad,
Which meets all motion and becomes its soul,
A light in sound, a sound-like power in light,
Rhythm in all thought, and joyance everywhere—
Methinks, it should have been impossible
Not to love all things in a world so filled;
Where the breeze warbles, and the mute still air
Is Music slumbering on her instrument.
. . .

And what if all of animated nature
Be but organic Harps diversely framed,
That tremble into thought, as o’er them sweeps
Plastic and vast, one intellectual breeze,
At once the Soul of each, and God of all?

~ Coleridge, “The Eolian Harp”

*

By contrast, here is Rilke’s “string theory”:

Things are violin-bodies
filled with murmuring darkness:
in it dreams the weeping of women,
in it the resentment of entire
generations stirs in its deep . . .


~ Rilke, “At the Edge of the Night,” Book of Images

Coleridge imagines not just a collective Logos, but also a collective Eros. This collective consciousness (“at once the Soul of each, and God of all”) is a kind of psychic wind, an “intellectual breeze” that sweeps over each eolian harp — each being, that is, producing a corresponding music.

For Rilke, the instrument that inspired similar thoughts was the violin. In one poem he even questions “Strange violin, are you following me?” His years of wandering from one rented room to another seemed to have their own soundtrack, including the violin being played next door where another lonely tenant would soothe himself by playing, finding home in his music.

Rilke too concludes that “things are violin-bodies.” But instead of a happy mood and evocation of pantheism, from this audible world-soul we get human suffering: the weeping of women, the resentments of whole generations that thought they didn’t get what they expected from life. Instead of an amorous melody we have “murmuring darkness.” Rilke’s years of genteel poverty show their imprint here.

Both Coleridge and Rilke seem to agree on this: a person is not just an isolated individual with an isolated consciousness. They are instruments of a collective consciousness that speaks through each. But at least in his youth, Rilke was far from being “healthy-minded.” There is a great consciousness of suffering in his poems. He too formed his own system of spirituality, but it could be argued that to the end, though he strained to say yes to life, he was rarely joyful.

James would classify Rilke as a “sick soul.” But Rilke’s journey did not take him to belief in a loving god — Rilke regarded all religions as human invention, and detested Catholicism in particular. Nor could he accept Nature as all good, as the Romantic poets seemed to do. Rilke tried and tried: with the “neighbor god” who is pathetically dependent on man; with the magnificent but overwhelming angels who would not hear him; with Orpheus as the spirit of poetry, the “greater poem behind each poem.” But we don’t get the sense of a nurturing, fully supportive life philosophy. We get the longing.

Coleridge, too, was ultimately a “sick soul.” But for a while at least he was buoyed up both by the happiness of the early years of his marriage and the supportive philosophy of nature that he shared with Wordsworth. In the end his “life support” crumbled. The sick soul doesn’t necessarily experience a religious conversion or form his own supportive spirituality. Sadly, quite often the person prone to suffering and pessimism simply keeps on suffering. 


MY “LUTHER MOMENT”

I like William James's pragmatic (of course!) stance on faith and the need for evidence. James said that if a particular religion works for you and helps you live a better life, just go ahead and don't worry about the lack of objective evidence. The pragmatic evidence (your life is better) is reason enough to believe whatever you believe. I think that may indeed work for a lot of people, and I have a friend who “chooses to believe” in a benevolent god on that basis. “I only believe that which makes me happy,” she told me.

I did not burst out laughing. I even felt somewhat envious of her. I am in the perhaps unfortunate group that needs some objective evidence. Once even the appearance of evidence fell apart, I could not believe, benefits or not. In what I see as my "Luther moment," I did consider the possibility that I was wrong, and that rejecting the existence of god and ceasing to pray and go to church would result in eternal damnation. And I realized that "ich kann nicht anders" — I cannot do otherwise" — even if that's the horrible price. I will not go through the motions of belief out of fear, but have to act according to what I see as truth. I admired Luther's courage the moment I first heard about him. I was still a Catholic but Luther instantly joined my pantheon of heroes.

Here is a section of a poem of mine that describes my personal greatest moment of courage:

At fourteen I said, “If God exists,
let him strike me with lightning.”
I waited, trembling with terror.
For five minutes I could hardly breathe.

Pigeons cooed, fragile sunlight
redeemed the rain-streaked masonry.
I began to walk fast, away
from that first-communion girl,

lilacs in her arms, moist and heavy,
veins crossing the silk of leaves.


 no, that’s not me

“Sometimes there is a delay,” Adam Zagajewski quipped when I recounted the experience. In retrospect there is a comic element here: I was expecting a fictitious being to strike me dead for daring to think he’s fictitious. But I really did tremble with terror. What if I was wrong? Then I was putting my whole eternity on line. Those who believe in the validity of Pascal’s wager would counsel the opposite action: try to force yourself to believe just so you don’t end up in hell as punishment for non-belief. But I was ready to accept eternal damnation rather than worship a sadistic god who consigned the great majority of his alleged children to never-ending torment, primarily because they didn’t happen to be born Catholic. I felt that to worship such god was worse than worshipping Hitler.

My kind of “conversion” is often called “de-conversion.” At fourteen, I did enter that wider intellectual life of which James speaks. The new life would be impossible if I’d stayed within the rigid bounds of Catholicism which forbids questioning, free discussion, and any thinking on one’s own. (As for the argument that Catholicism has become more liberal and now you can raise questions, I answer, “Sure, now you can raise questions. But the answer is No.”)

Did I automatically become “healthy-minded”? Was I completely sure that the monstrous god of punishment really did not exist? That Jesus is never, never, never coming back to hurl me or anyone into hell? No — the journey to a strength-giving certainty took years.

THE NIAGARA FALLS MOMENT (NOT MINE)

Each person’s journey to atheism is different. For some it begins only in college, when they are exposed to powerful secular worldview. Others experience a moment in church when they realize that the uplift they used to get in their early teens has turned to sheer tedium, and can no longer fight the perception that their inherited religion is indeed archaic nonsense.

The process of parting with belief may be gradual, or it may be traced to a particular event. My favorite story of “de-conversion” is one man’s account how in his youth he went with his girlfriend to visit Niagara Falls. Impressed with the sight, he began to speak about the Creator. His girlfriend gently nudged him to the plaque that explained how the falls were formed (Wisconsin Glacier, hello). He found it fascinating.

After returning home he began to read about geology. Next came paleontology and astrophysics (talk about the expanding universe, in this case the mental universe!) He found himself more and more interested in scientific explanations of the origins of what we see in the world, and found these explanations much more convincing than anything he’d learned in Sunday school. But it all started with a plain little plaque explaining the origin of Niagara Falls. 

FOR ME, THE GREAT CHOICE WAS STILL AHEAD
 

But right away, as soon as I left the church, I felt happier than before; stress caused by ridiculous scrupulosity and the fear of eternal damnation was largely gone. Largely, but not entirely. Somehow I too had drunk too deeply from the cup of bitterness and the habit of harshly judging myself. Ahead lay many years of depression. My “conversion experience” to healthy-mindedness came only when I realized more vividly than ever that life was limited, and that I had a choice: to judge myself harshly and remain depressed, or to try to be productive.

Once I saw what the choice was, there was really no choice except to be productive. The door to depression, once so readily opened by the thought, “I am a total failure,” slammed shut in an instant. In fact it was more dramatic than the closing of a door. The door vanished. Now I couldn’t enter depression even if I wanted to. It wasn’t my first experience of a life-changing shift in perception, so I knew I had no choice. Nothing had the power to restore the former state of mind. From now on, instead of brooding and having crying fits, I’d have to cope. A small part of me didn’t like that at all.

I didn’t dare expect happiness. But work works; for me and many others, it’s the best therapy. By focusing on work, I gradually recovered from anhedonia and found myself more contented than ever before.

I found three others who also “decided” (if that’s the word) to give up depression in a moment of insight. But the story I love best is that of Steven Hawking. After being diagnosed with ALS, an incurable neurodegenerative disease, he became depressed and started drinking. According to what I’ve read, one of his professors said to him, “You still have a few years left. Do you want to drink yourself to death, or would you like to try to make a contribution to physics?” And simply being presented with that choice was enough.

**



SPIRITUALITY WITHOUT RELIGION

Let me close with a quotation not from James, but from Sam Harris, in his newest book on spirituality without religion:

I am often asked what will replace organized religion. The answer, I believe, is nothing and everything. Nothing need replace its ludicrous and divisive doctrines — such as the idea that Jesus will return to earth and hurl unbelievers into a lake of fire, or that death in defense of Islam is the highest good. These are terrifying and debasing fictions. But what about love, compassion, moral goodness, and self-transcendence? Many people still imagine that religion is the true repository of these virtues. To change this, we must talk about the full range of human experience in a way that is as free of dogma as the best science already is.





But wait, Whitman already talked about the full range of human experience in a way free of dogma, so the last words must be his. This is the final section of The Song of Myself:

The spotted hawk swoops by and accuses me, he complains of my gab
      and my loitering.

I too am not a bit tamed, I too am untranslatable,
I sound my barbaric yawp over the roofs of the world.

The last scud of day holds back for me,
It flings my likeness after the rest and true as any on the shadow’d wilds,
It coaxes me to the vapor and the dusk.

I depart as air, I shake my white locks at the runaway sun,
I effuse my flesh in eddies, and drift it in lacy jags.

I bequeath myself to the dirt to grow from the grass I love,
If you want me again look for me under your boot-soles.

You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.

Failing to fetch me at first keep encouraged,
Missing me one place search another,
I stop somewhere waiting for you.




 
DOES RELIGION DEPEND ON UNHAPPINESS?
 

Hyacinth:

The Once-Born remind me of Mary Oliver's "you do not have to good ...you only have to let the soft animal of your body love  what it loves"....  a great blog

 
Oriana:

Yes! that important question of happy versus religious.

But then catholicism has never been about being happy. It never encouraged happiness, only guilt and suffering — because then who’d want to spoil the happiness of a Sunday morning by going to church to beat your chest and repeat, “My fault, my fault, my most grievous fault”?



The message: you have to be unhappy now in order to be happy in the afterlife, after centuries of purifying punishment in the purgatory.

All food is “devil’s food.” If you eat chocolate now instead of fasting, you’ll regret it as you burn in a lake of fire.

The “once-born” have no need for religion, which brings us to this: does religion depend on unhappiness? It’s addicts who are most devout, and other people who have deep emotional wounds and problems. Those who struggle, those in the trenches of life.

The once-born already have a supportive life philosophy. They take a walk and are happy. Trees mean more to them than altars, and much more than the crucifix (isn’t it time to finally get rid of the crucifix?)

Actually I hate Oliver’s poem because of that first line, but you, dear Hyacinth, have just shown me an interpretation I haven’t thought of: that it’s not really “good” as a synonym of “kind to yourself and others,” but only good in the sense of obedience, as defined by various churches. Of course old-time catholicism could never accept the body, much less letting it love what it loves.

For me it’s more about what my mind loves. "My body” (so to speak, since sensation is also the mind) loves coffee and chocolate, but it would not be wise to eat only that. But it might be an interesting experiment: would there come a time when an aversion to coffee and chocolate would arise?

If the poem started, “You do not have to go to church,” I would find it completely inoffensive. Or, “You do not have it be perfect.” Yes, especially “You do not have to be perfect.” That idea would have helped me enormously when I was younger.

I think the culture is evolving a collective supportive philosophy. Take the concept of a “good-enough mother.” You don’t have to be a perfect mother, just “good enough.” It’s of monumental importance, this allowing young mothers not to be perfect, to have a laid-back approach that’s not fraught with anxiety. The times, they are a-changing. 


Hyacinth:

I believe that if religion gives someone who is in extreme pain some relief it's a good thing and I am careful not to let my beliefs interfere with theirs. Whatever works to give them hope. It is not necessary for me to interfere but to listen and nod.. and believe what I believe.


Oriana:

William James, the father of pragmatism, would agree. If believing something helps you live, don’t worry about objective evidence. Subjective “pragmatic evidence” is good enough. (I don’t know if James held the view that reason would always reject religion; catholic apologists insist one must “rise above reason.”)

My mother knew my intense nature and warned me not to argue about religion with people who needed it. “You never know,” she said, “perhaps religion is what keeps that person from suicide.”

Milosz, who was an alcoholic, asks in a late poem (“Prayer”):

What sort of adorer of Majesty am I,
If I consider religion religion good only for the weak like myself?

~ and elsewhere in the same poem:

. . . when out of pity for others I begged a miracle,
The sky and the earth were silent, as always.

It’s more difficult to cling to faith in the face of that silence, but a great emotional need will somehow find an answer. For one thing, we have coincidences and an ability to see patterns and create narratives.
 

Christianity began as the religion of the oppressed. It should be no surprise that as it declines and draws to an end, it should became mainly the religion of the oppressed again.

FALLING INTO LIFE
 


Michael:

My vessel of belief shattered after years of observing minute cracks spreading over its surface. Perhaps the final tap (a gentle one) that caused it to crumble came from a well-known theologian with whom I was corresponding. Responding to an epistemological question he wrote, "If Bach doesn't resonate, try Mozart." Really? I thought. Like I have an option? I could choose? It was a freeing notion that took years to fully appreciate. And “resonate” — what the hell did that mean? Give up my incessant quest for reasons, intellectual explanation, knowledge, certainty for something that simply resonated? It seemed and seems appropriate he used music to make his point. Subjective. Fluid.

Lately I've fallen pleasantly into life--I plant and harvest (great tomato crop this year), work on a trail through the forest, cut wood for winter, drive over an hour through the beautiful Columbia Gorge to work on a job, enjoy good food (actually tasting) ...  For the first time I find no need to solve anything. I've been pleasantly numbed by life itself. This resonates with me.

Just reflecting on your thoughts and thinking about journeys and distances...

Oriana:

Glad to hear you are happy. Columbia Gorge is one of the most beautiful places in the world — it would be a sacrilege not to be happy.

I love hearing people’s stories of how, after decades of misery, they arrived at contentment. Needless to say, I identify. Everyone’s story is different, but there are certain central themes. Mozart or Bach? That reminds me that there are many “selves” — many competing neural networks, and we don’t need to give priority to the one that keeps going over the failures and suffering of the past. We are not that “self.” Other selves are available. I “chose” (this is done without any conscious cogitation) the one that was second most dominant: the hard-working, productive self.

The conscious part was my decision not to question if the work makes sense, especially if it leads anywhere, e.g. recognition. That’s when I became “posthumous” — thanks to being cornered by mortality, I realized that nothing I do is a “stepping stone” to something bigger and better, and that I’ll be rewarded only in the future (“your reward will be in heaven” — the same kind of thinking). The work really is its own reward.

Buddhism is also a salvationist religion, but the huge difference from Christianity is that its ideal is bliss NOW, not in the afterlife. It states we suffer because we want something, and because we are not fully in the present. We become more Buddhist with age. It’s interesting that ALL studies have found that older = happier. Older people want less and live in the present. It happens gradually and without effort, without necessarily the drama of the moment of enlightenment. I'm glad I had mine because it was an interesting experience, but I can see that there are ways to get there.

And past a certain point and to a limited extent, there are indeed options. We can choose a Bach self or a Mozart self, and happiness will take care of itself. Growing up in a mono-Catholic or mono-anything country is a disadvantage because it’s more difficult to become aware of options and the relativity of belief. You eat what you are given. You mean there is something other than meatloaf??

Plants are wonderful. It’s the power of beauty, the power of an external focus, but also something else: when we are nurturing a plant, we are nurturing ourselves. But even that may be too much cogitation — and I haven’t even mentioned cleaner air and negative ions. When I am in a place where there are lots of plants, I feel happy. And that is enough. 


Darlene:

You said this particular blog is getting quite popular. Do you have any idea why that is?

Oriana:

I think it’s in part the drawing power of William James, and in part the startling phrase “once-born.” We’ve been brainwashed to believe that we need to be “twice-born.” Even William James condescends to the “once-born” — those who allegedly haven’t suffered enough and spent enough sleepless nights agonizing over their failures and/or sins. “Happy” and “shallow” are often thought to be synonyms, alas.

The notion that the “once-born” are the healthy souls, those who don’t need salvation, being already happy, was quite an eye-opener to me. Maybe that’s indeed the church’s biggest hush-hush secret: you don’t need to be saved. You already live in paradise. You only need to slow down, and then you will enjoy life much more.

You need to drop anxiety and trust that things will be fine even if you do lie down and rest. For an introvert, it helps enormously if the alpha male is removed so you can slow down and discover the best ways to live and work without disruption.



Darlene:

Do you mean meditation?


Oriana:

Not necessarily in the traditional sense of “sitting.” My salvation — alas, I started out as a sick soul — has been work. My gospel is “Don’t brood. Work.”

But you need to work in a way that doesn’t cause stress. That means working slowly, and not attempting too much at once. “We manage best when we manage small.” That compulsive greed to get as many things done as possible — we must stop and ask ourselves, “Why?” Most of the things we do are not important in any larger sense, but the doing itself can be enjoyed. Slowly sewing, rather than finishing the project as quickly as possible, only to rush into another project.

I think my compulsiveness developed partly mainly because of insecurity. Something in me acted as though there’d be no tomorrow, so it all needs to be done now. I realize that one day that will be it, literally no tomorrow — but by then brain function is different and there is a peaceful surrender. Right now I'm practicing peaceful surrender to the fact that there WILL be tomorrow — so not everything needs to be done today.

And the quality of whatever you do slowly improves. Haste really is waste.

And I don’t mean just creative work in the traditional meaning. All work can be creative to some degree. It’s wonderful to have the house to yourself, but if that’s not possible, make just one room beautiful.

Tuesday, April 9, 2013

BODY HEAT: THE NON-PERSISTENCE OF MEMORY

Mary Dineen: Iris
 

“The question of the self: ‘who am I’ not in the sense of ‘who am I’ but rather ‘who is this ‘I’ that can say ‘who’? What is the ‘I,’ and what becomes of responsibility once the identity of the ‘I’ trembles in secret?” ~ Jacques Derrida
 

All I’m willing to divulge is that certain events made the identity of my ‘I” tremble in secret. As did the reading about a dream I had a long time ago.

BODY HEAT

I browse through the journal I kept 


in 1988. Boring, my witty remarks,
my vivid writerly details;

a student essay I quote,
“The Underclothes at Hawthorne
Disaster Wing Thriftstore, Inc.”



I flip the pages, find
my “Los Angeles airport dream”: 
We stand at the window and wait

for the plane from New York.
It crashes into the terminal!
Woozy from the impact, I get up.

Robert is gone – vaporized.
Only his duffel bag is left.
I grope it, hoping it’s still warm

from his body. Moments later
I think, “I’ll call Andrew.”

In the journal I write,

What a marvelous dream!


Except I’d never exchange 

Robert for Andrew. Never.

*

Now I shudder. No jets had yet
plunged into buildings. Ignorant
dream, how could it not know

that Andrew was to be
my Disaster Wing?
My long letters to him,

stormy knots of clouds,
signed: “Love always.”
I still can't believe it:

to Robert I said,
“Andrew is my prince –
you are my reality.”

*

Only the body knows.
Only the hands make love.
My songless Orpheus

committed suicide.
The same autumn Robert
got married, a Catholic

convert, a metal crucifix
over his marriage bed.
I put away the journal.

One image lingers: in the void
of the demolished airport,
I touch my lover’s duffel bag.

I stroke the bag’s whole length, 


seeking the last trace

of someone lost – a ghost even

of his body heat –
That’s the sole detail
I have saved –

it’s what remains for me
of that year, not of Our Lord,


but of our groping blindness.

~ Oriana © 2013



The poem describes my experience quite accurately. I
n my twenties and thirties, I kept a journal on and off, mostly off.  Like a lot of people who journal, I never read it. One time I did try reading it, and found it boring -- all those forgotten, meaningless details that had nothing to do with my new “older and wiser” priorities! And all those attempts to be clever and funny -- who did I think I was writing for? Posterity?

And then it happened: browsing, I landed on the page that recorded my dream about a plane flying into the building of the Los Angeles airport. I was the sole survivor, touching my vaporized partner’s duffel bag all over, seeking some trace his body heat still clinging to the bag. I was thunder-struck. The dream came back as if I’d just had it, never mind the many years in between. How could I have forgotten one of the most powerful dreams I ever had?

Worse, how could I have made this cruel remark to the man who wasn’t my Prince, not the one I fantasized about every night? I still can’t believe it . . . except that the memory, once resurrected, would not go away. I can only plead that it was the innocent “cruelty of youth” -- not meaning to hurt another, but not having lived long enough to have acquired more compassion and understanding of life and love.

I’m horrified by what came out of my mouth in the guise of “honesty” -- back then honesty was on everyone’s lips, the highest value, far ahead of kindness. I plead I “wasn’t yet me”; that was my immature self, not my more enlightened later self, chastened by having experienced not only more personal suffering, but also by understanding how much others suffer.


Wiliam Blake: Job

*
 
THAT EMBARRASSING YOUNGER SELF 

Ray Carver has a poem about this dilemma of having to own one’s younger self:

THE AUTHOR OF HER MISFORTUNE

I’m not the man she claims.  But
this much is true: the past is
distant, a receding coastline,
and we’re all in the same boat,
a scrim of rain over the sea-lanes.
Still, I wish she wouldn’t keep on
saying those things about me!
Over the long course
everything but hope lets you go, then
even that loosens its grip.
There isn’t enough of anything
as long as we live. But at intervals
a sweetness appears and, given a chance,
prevails. It’s true I’m happy now.
And it’d nice if she
could hold her tongue. Stop
hating me for being happy.
Blaming me for her life. I’m afraid
I’m mixed up in her mind
with someone else.  A young man
of no character, living on dreams,
who swore he’d love her forever.
One who gave her a ring, and a bracelet.
Who said, Come with me. You can trust me.
Things to that effect.  I’m not that man.
She has me confused, as I said,
with someone else.

 ~ Ray Carver

*
I discussed this poem with my students. Half of them said, No, he is no longer that man. The other half kept saying, Yes he is. What a cad.

We concluded that he both is and isn’t the same person. Legal cases regularly bring up this paradox: Your Honor, yes, twenty years ago my client did commit a crime, but he is now a “changed man,” a pillar of the community, president of an important charity, a loving husband, father of three fine boys. What good would it serve to put him in prison?

I still don’t have an answer to that question.

*


TO BELIEVE AS THE HANDS BELIEVE

As for my poem, written the same day I found the dream in my journal, it too provoked a debate. Or rather, not so much a debate as a round of condemnation from friends, with me as the sole defense attorney. Now, my friends were not saying, Your younger self is morally despicable. They were saying that this is a bad poem. It’s badly written: the two men create confusion. “Why don’t you remove the other man from the poem and make it a beautiful love poem?” my most romantic friend suggested. Others seconded that.

It would have been easy to transform this darkly realistic poem into an idealistic one: my one true love, even beyond death. I knew that from a purely esthetic point of view, a shorter poem would have worked: I browse through the journal, find the dream but omit any mention of the idolized “Andrew,” leave out further developments concerning Robert and Andrew, and quickly proceed to the ending. Everyone praised the ending.

But I wanted to retain the duality. For me the poem was about that duality, including the duality of past and present, and the older self’s new understanding of the dream in the light of a more mature understanding of love. No, I was no longer that ruthlessly “honest” young woman, and could now say with Tony Hoagland:

What we’ve learned is mostly
not to be so smart --

to believe
as the hands believe,
in only what they hold. 


**

The other matter that interests me is the strangeness of memory. If I hadn’t written down the dream, and then rediscovered the description years later, the dream, which I now see as one of the most powerful dreams I’ve ever had, would be forgotten with the rest of the details. The poem would not exist. The unexpected vehement condemnation that the poem drew further burned it into my memory. “This is the worst poem of yours that I’ve seen,” one person said.

On a dare, I decided to read the poem in public the next chance I got. But in the last minute I lost my nerve. In any case, “you have the right to remain silent.” But the emotional storm assured that I’d never forget the once-forgotten dream or the circumstances in which the “bad” poem was born.

**

I’ve often reflected that I wrote my “Polish poems” just in time, when my childhood memories were still relatively fresh, and those full-throated Carpathian roosters were crowing, casting splendid echoes. The negative side of communing with the past through poetry was that this selective recall perhaps became more important than it should be. Accused of having created an unreal and folkloric Poland, I could not deny the charge. The Polish countryside had become a holy land to me. Any lost homeland becomes that.

I had poems about Warsaw as well, presenting it as a magical city. When I was in my teens, it really was a magical city to me, but I also knew the other side that my older self fully remembered as well. My most perceptive readers picked up the darker undertones anyway (not to mention that the darkness was at times in full view, since my maternal grandmother was an Auschwitz survivor). They also assured me that the poems “go beyond the country”: those rooster-crowed villages, the wheat fields and the old farmer turning into an oracle, telling me I’d never go crazy, had an element of the eternal.

But there was yet another aspect to having written those poems: sometimes I felt I carried too much of the past with me. Because of the poems, I wasn’t able to forget, and forgetting may be memory’s wisest gift. We daily step into Lethe so we may be free of the old life and ready for the new. Or, as another dream told me, “Every three years I burn my diaries / to make room for new books.”

*






THE CLOUDS ARE NOT ALONE

Yet just recently I had an experience that confirmed that not even writing a poem is guaranteed to preserve an experience or insight: it’s perfectly common to forget having written a particular poem, even a good one. Some poets say that it’s best to put away a new poem until you no longer remember it, so a year later you can read it, astonished: This is good!  I wrote this? Me of little worth and no account? (the Book of Job has a way of coming to my mind when poetry and po-biz intrude on my field of being)


I’ve learned to look at the “used” side of my recycled paper: now and then I find a poem I entirely forgot I ever wrote, and decide to keep it. But the last time I did that, I knew the striking and beautiful poem was not my own. The author’s name wasn’t on the page. I instantly emailed the poem to my Salon, with the question, “Does anyone know who wrote this poem?”

The same night, the author was found. It was one of the members of the Salon. She emailed me:
OMG, this is my poem! She was astonished, and admitted to having recognized the piece not right away, but only half-way through it. She had entirely forgotten having written it, just as I had forgotten having read it. Here it is:

THE CLOUDS ARE NOT ALONE

A Navaho man said the rain is our ancestors
Our bodies, with so much water when we die

evaporate generation after generation
into clouds made of ancestors raining down

all those evaporating beings farther and farther back
through the dinosaurs and more

Everyone who came before rains on me
The tides from the moon are in all of us

with our waters pulling each other closer and farther
while the stars smash away, create worlds

Poems travel at the speed of light
from the page to my eye

from scraps of language written down
Sappho’s love pulses across centuries

~ Janet Baker © 2013

**

How could she forget having written such a fine poem? How could I forget having read it?

It’s not that mysterious. Apparently neither of us took the time to properly encode the memory. Not reinforced through deep attention, strong emotion, and/or repetition, the memory became inaccessible.  Life rushes on, and both of us simply . . . forgot. The poem would be lost utterly if not for the lucky accident of the recycler rescue.

The chance nature of this incident creates a sense of both adventure and peril. Hooray, a poem that deserves to live is now resurrected. But how many excellent pieces have gotten lost? Legion.

Here was a poem that celebrated the idea that the ancestors are still linked to us, nourishing us. I remembered Rabbi Steve at the Interfaith Panel on the Afterlife (http://oriana-poetry.blogspot.com/2011/12/immortality-of-influence.html), saying that before life ends, a person needs to shed all the love s/he has received so it can be recycled. But the same could be claimed for knowledge and wisdom. All, all must be recycled. As Janet’s poem claims, “Everyone who came before rains on me.” 




Jaded reader, you may shrug and say that this has no doubt been said before in some other way; aren’t there too many poems out there already? The sites that offer a “poem of the day” choke with unending material; the Internet overflows with hundreds of thousands of poems. True, but how many of those poems are worth reading? Let’s be generous: maybe ten percent. At the same time, for various reasons, many truly excellent poems never find an audience. They slide into oblivion without a sigh, sometimes forgotten even by their author.

This is sad because poetry can be more powerful than any other kind of writing. I wouldn’t  have this belief if not for the repeated experience of someone from the audience approaching me after a reading, deeply moved, thanking me for having made him or her see something in their life in a new light. All good poets seem to have those tales of being thanked by tearful strangers; it’s what keeps poets from feeling useless.

Whenever I do a reading, I imagine that in the audience there is one person for whom a certain poem is meant. I can’t predict which poem and which listener, but experience has tended to confirm my belief that at least one person will be touched in a special way. And that’s also what makes the fickleness of memory and the loss of good poems so sad: the gift is not given, and the person who’d be ready to receive it remains untouched.

Not long ago I happened to be that person in need of a gift. Browsing at random through a book I received from a stranger, I came across these famous lines:

Loafe with me on the grass . . . Loose the stop from your throat,
Not words, not music or rhyme I want . . . not custom
       or lecture, not even the best,
Only the lull I like, the hum of your valved voice.

This was not trendy in Whitman’s time, and he had to self-publish. Imagine if it had been lost.     




Tuesday, January 24, 2012

SIMIC, WHITMAN, AND SISTER LOUISE



Tamara Lempicka, Adam and Eve


THE OLD WORLD

I believe in the soul; so far
It hasn’t made much difference.
I remember an afternoon in Sicily.
The ruins of some temple.
Columns fallen in the grass like naked lovers.

The olives and goat cheese tasted delicious
And so did the wine
With which I toasted the coming night,
The darting swallows,
The Saracen wind and moon.

It got darker. There was something
Long before there were words:
The evening meal of shepherds . . .
A fleeting whiteness among the trees . . .
Eternity eavesdropping on time.

The goddess going to bathe in the sea.
She must not be followed.
These rocks, these cypress trees,
May be her old lovers.
Oh to be one of them, the wine whispered to me.

~ Charles Simic

**

“The Old World” is one of my favorite poems. I am particularly delighted by the last line of each stanza, but especially the first and the last stanza, starting with “Columns fallen in the grass like naked lovers.” The “Saracen wind and moon” makes me think of Lorca’s ballads, stylized and passionate at the same time (so what if some professor tells you never to write about the moon? I say all true poets have the inalienable right to write about the moon).

Then “A fleeting whiteness among the trees” – which could be simply the light, but might also be a nymph or the goddess that’s mentioned soon afterwards, probably Aphrodite, since she had the closest connection with the sea (and of course with love and sex). And what is a moment of transcendent delight except a fleeting whiteness, and “eternity eavesdropping on time”?

The last stanza is perfection:

The goddess going to bathe in the sea.
She must not be followed.
These rocks, these cypress trees,
May be her old lovers.
Oh to be one of them, the wine whispered to me.

Who can resist that Dionysian whisper? The line is funny and moving at the same time. That is a rare feast: humor may delight us, but it’s rare that something can simultaneously amuse us and touch our hearts. But Eros has that power. (The marriage proposal scene in The Iron Lady is comic and yet touching.)

Simic interests me because his best poems are both cerebral and sensual, erotic. It’s the marriage of Logos and Eros. The gods mingle with the mortals, characters out of myth are everywhere along with the ever-present butcher, angel-child, and the blind beggar (who’s of course also Tiresias). I don’t think Simic could ever be popular with poets who write mainly about their immediate family. He actually does have some mother-and-father poems. One of them, “Romantic Sonnet,” starts:

Evenings of sovereign clarity –
Wine and bread on the table,
Mother praying,
Father naked in bed.

**

The combination of Eucharistic symbols and sex is irresistible to this lapsed Catholic. There is a strong connection between religion and sex, but it’s not what the religious right would have us believe.

**

Sociology of religion is an established field, but psychology of religion remains somewhat undeveloped, it seems to me – maybe precisely because it would mean treading into the erotic. We are reasonably comfortable with it when dealing with classical or Asian mythology: yes, of course, the phallic gods, fertility rituals, virgins and serpents everywhere, and gods and goddesses mating with mortals. When it comes to Chrisitanity, however, (or, to use the more inclusive and intellectually chic term, “Abrahamic religions”), we tend to pull back.

In a stark break with polytheistic religions, the Abrahamic god is sexless, so Eros has to enter through the back door, disguised. In a Hasidic midrash, Shehkina (arguably the feminine divine) joins Yahveh each Sabbath, and they make love – hence there is a special blessing for married couples making love during Sabbath. This, of course, is not in the scriptures. But we have to have some sacred marriage somewhere . . .

But what am I saying, “we” . . . it’s poets and writers who tend to infuse Eros into everything they write about, including matters that others might label “spiritual.” Here is Whitman, erotic not just in imagery, but also in the seductive use of sound – “Only the lull I like, the hum of your valved voice.

I believe in you my soul, the other I am must not abase itself to you, 
And you must not be abased to the other. 

Loafe with me on the grass, loose the stop from your throat, 
Not words, not music or rhyme I want, not custom or lecture, not 
even the best, 
Only the lull I like, the hum of your valved voice. 

I mind how once we lay such a transparent summer morning, 
How you settled your head athwart my hips and gently turn'd over upon me, 
And parted the shirt from my bosom-bone, and plunged your tongue 
to my bare-stript heart, 
And reach'd till you felt my beard, and reach'd till you held my feet. 

Swiftly arose and spread around me the peace and knowledge that pass 
all the argument of the earth, 
And I know that the hand of God is the promise of my own, 
And I know that the spirit of God is the brother of my own, 
And that all the men ever born are also my brothers, and the women 
my sisters and lovers, 
And that a kelson of the creation is love, 
And limitless are leaves stiff or drooping in the fields, 
And brown ants in the little wells beneath them, 
And mossy scabs of the worm fence, heap'd stones, elder, mullein and 
poke-weed. 

~ Walt Whitman, Section 5 of Song of Myself

**

It’s best to leave intellectual literary criticism out of this, lest we sound like theologians writing chaste commentaries on the Song of Songs. I’ll only say that I love the inclusion of brown ants and mossy scabs and weeds in this mystical experience. And yes, it is a typical mystical experience in its mention of peace and knowledge:

Swiftly arose and spread around me the peace and knowledge that pass 
all the argument of the earth

You may object that this Whitman is speaking about the union not with the divine, but with his own soul. But that soul is externalized and divinized in a manner that reminds me of Rumi and Hafiz. The god of the mystics sounds more like the ultimate “twin soul.” (When I come home to my twin soul, there he is at the piano, playing Schubert like a virtuoso. Mystically enabled myself, I sit down on the piano bench next to him and say, “Let me take the left hand.”)

**

No, the erotic will not be shut out of religion, and the love of the devotee for the deity does not stay platonic. The longing for a union with the Beloved keeps reappearing in most religions, and it’s a longing for touch, for the sound of his voice. However, it’s the soul that is the Beloved, a former nun, Sister Louise (no longer a “sister,” but it was impossible to think of her except as Sister Louise) explained it to us during her lecture on Progressive Catholic Thought. “If the soul is the Beloved, then God is – what?” Sister Louise asked. None dared reply. She repeated the question. Silence.

Slightly rolling her eyes at our ignorance about something so basic, Sister Louise knew that, again, she’d have to tell the obvious to the befuddled listeners. “If the soul is the Beloved, then God is the Lover,” she announced. It was, in the parlance of those years, “mind-blowing” to hear this. Our Lover, who art in heaven?

The fact that someone, especially a woman who used to be a nun and thus likely taught catechism, with its fussy categories of sin, could define God as a Lover – now, that was more radical than any religious idea I’d ever heard. And the former nun did not seem to mean “platonic love” either. Smiling at our astonishment, she calmly kept using terms usually associated with erotic union, including “God makes love to the soul.” (Later, I overheard a professor say, “She’s really grown since she left the convent.”)

Sister Louise explained that the soul, the Beloved, is more passive and lets herself (the word for soul is feminine in those languages in which nouns have gender) be possessed by God when he comes to visit. The union is rapturous: there is ecstasy and a great feeling of peace, intoxication and yet complete clarity of inner vision, the shedding of rational control in favor of the feeling of blissful fulfillment. What we want from religion is not commandments but paradise.

One striking uniformity that emerges is the mystics’ complete lack of fear of hell. Theirs is not a fear-based faith. Their god-concept seems based on a totally loving and forgiving deity. Their focus is not hell, but paradise. And apparently even a fear-based believer can experience a moment of mystical joy. William James, in his lectures on religious experience, quotes this: “When a fellow-monk," said Luther, "one day repeated the words of the Creed: 'I believe in the forgiveness of sins,' I saw the Scripture in an entirely new light; and straightway I felt as if I were born anew. It was as if I had found the door of paradise thrown wide open.” Alas, that moment of mystical vision passed quickly, and Luther for the most part reverted to his obsession with sin and Satan.

I realize that Luther’s idea of God remained parental, and he’d probably be horrified at a former nun (he’d approve of her having left the convent) defining God as a Lover. But Saint Teresa of Avila, as well as various Sufi and other ecstatic mystics, are more likely to see God as a Lover or Friend. There is, of course, St. John of the Cross, whom I quoted in a previous blog entry


and who is worth quoting again:

Stanzas of the Soul

1. One dark night,
fired with love’s urgent longings
– ah, the sheer grace! –
I went out unseen,
my house being now all stilled.
2. In darkness, and secure,
by the secret ladder, disguised,
-- ah, the sheer grace! --
in darkness and concealment,
my house being now all stilled.

3. On that glad night,
in secret, for no one saw me,
nor did I look at anything,
with no other light or guide
than the one that burned in my heart.

4. This guided me
more surely than the light of noon
to where he was awaiting me
– him I knew so well –
there in a place where no one appeared.

5. O guiding night!
O night more lovely than the dawn!
O night that has united
the Lover with his beloved,
transforming the beloved in her Lover.

6. Upon my flowering breast
which I kept wholly for him alone,
there he lay sleeping,
and I caressing him
there in a breeze from the fanning cedars.

7. When the breeze blew from the turret,
as I parted his hair,
it wounded my neck
with its gentle hand,
suspending all my senses.

8. I abandoned and forgot myself,
laying my face on my Beloved;
all things ceased; I went out from myself,
leaving my cares
forgotten among the lilies.


**

We know that ecstatic experiences, be they erotic, musical, or spiritual, all seem to originate in the right temporal lobe. This may explain to some degree the similarity of these various kinds of rapture, but it’s the poets who have given us the fallen temple pillars like lovers and always a variety of flowers, including the sexiest lilies.

Morgan:

Simic’s "The Old World" is wonderful, so mysterious as the poet pulls reader along with him through abstractions into a concrete, partly mythic, timeless past. "Eternity eavesdropping on time" is my favorite line.

Oriana:

While the clergy try to stay with the abstract, the mystic experiences sensations, sometimes described as “waves of liquid love.” Simic stays just sufficiently understated to have me feel that no, he does not reduce anything to sex; he elevates sex, makes it more beautiful with his imagery and words like “eternity.”

And the wine, so often mentioned in mystical poetry that it’s even been called the “wine of the mystic”? The rational faculties must be dampened so that an ecstatic vision can take place.

Hyacinth:

About Simic's poem:

I noticed that he used the word "soul" with no apologies and we have been avoiding it in modern poetry. I especially like "columns fallen on the grass like naked lovers" and "there was something long before there were words." Fascinating. Made me wonder about what goes on in a baby's mind before language. 

Long ago when I studied the Bible there was much emphasis on the "Word" being with god at the beginning of the world.

I also enjoy WW's "the lull, I like the hum of your valved voice."

And I’m intrigued by the image of the piano. "Let me take the left hand” reminds me of playing with my mother.

Oriana:

“At the beginning was the Logos” – that’s usually translated as “the Word,” but Logos also means mind, logic, design, concept. Anyway, Hesiod says that in the beginning was Chaos, Gaia (Earth), and Eros. I think poets want to say, “In the beginning was Eros.” Or at least they want to balance Logos with Eros.

I don’t think I will ever see fallen columns as anything but naked lovers from now on. Simic eroticizes the whole landscape, even the rocks and the cypresses.

An interesting query about the baby’s preverbal mind. Images, I suppose, but even those are probably different than ours. It’s possible that language affects neural function in a global manner. 



Scott:


I have been reading more by and of Whitman. As you know, my literary world is heavily colored by Melville, and he and Whitman share many similarities. Their lives parallel each other in that they lived in the same era and region; the poet Jay Parini even has them meet in his novel on Melville. Melville was too troubled by his Calvinistic background to have related to much of Whitman’s poetry. The Catholic Kiwi poet James K Baxter could have better related to Whitman; his brand of mystical/liberal Catholicism was very unorthodox. I think Whitman was a true free spirit and saw the human condition as one to be fully embraced, in all its aspects. His Civil War service had to have been very unsettling to someone of his frame of mind. I also think Whitman was influenced by his interaction with the Quakers. I like their official title 'The Society of Friends'....if only we could all be in such a society truly.

Oriana:

You are right: Melville and Whitman, two giants of American literature, lived in the same era. I think both of them spread the message of tolerance (curious, how many centuries it’s taken us to arrive at the current still imperfect level of acceptance of people who are different). Melville gave us the wonderful figure of Queequeg, for whom Ishmael has so much affection and admiration – a message against racism (which must have been quite radical at the time, especially given the frequency with which the word “cannibal” is used in the novel). Whitman’s embrace of humanity was Christ-like – note his compassion for prostitutes and the mentally ill. I think that has something to do with Whitman’s mystical streak – he seems to have liberated himself from the toxic concept of the divine prevalent during his times, when religion was still very much founded on psychological terrorism, i.e. the threat of hellfire. Mystics are very alike in being love-based rather than fear-based. The neural substrate of mystical experience is apparently the same regardless of whether the person starts out as a Buddhist or a Catholic.

My own “conversion experience” (a moment that did change my life, though from the outside it would have looked as though nothing happened: it literally was all inside my head) has been to a productive life as opposed to chronic depression, and it too bore the fruit of much greater acceptance of others, and great love for the earth. (Animals I always loved; it’s people I had trouble accepting.) I tended to see Whitman as too effusive; now I understand him and enjoy him more. He was incredibly radical, and even today, as I’ve heard from professors of American literature, some college students simply can’t accept what he is saying (or what the American transcendentalists are saying). 



Thanks for pointing out the influence of Quaker views on Whitman. Here is an interesting link:



John:

I like the Simic but he's a man who can never love the soul the way Whitman does. For Whitman, the soul is always present, for Simic it is a memory.

Oriana:

Yes, for Simic and probably for most educated readers, soul is a pretty meaningless word. It's startling to realize that Freud constantly wrote of die Seele -- German for "soul." His translators seem embarrassed by it and usually render Freud's Seele as "psyche" or "mind."